<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2116502197253703540</id><updated>2011-12-17T22:12:15.330-08:00</updated><category term='Deceased'/><category term='Panzerbastard'/><category term='Seth Putnam'/><category term='PATAC Records'/><category term='Tour'/><category term='Anal Cunt'/><category term='Thrash'/><category term='Hellbastard'/><category term='Metal'/><category term='Death'/><title type='text'>PATAC Records</title><subtitle type='html'>Home of PATAC Records</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://patacrecords.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>36</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-5240575517214199140</id><published>2011-12-17T22:12:00.000-08:00</published><updated>2011-12-17T22:12:15.338-08:00</updated><title type='text'>REVILERS to release full length album, TWO ADVANCE TRACKS FOR FREE DOWNLOAD!</title><content type='html'>FINALLY!  I've been waiting for what seems like eons to get a finished, mastered copy of the &lt;a href="https://www.facebook.com/Revilers"&gt;REVILERS&lt;/a&gt; full-length.  REVILERS were the reason I started the label, I had thought of starting a label for quite some time, but as soon as I heard the 'ISOLATION' demo, I KNEW it had to be heard on vinyl, thus... the beginning of PATAC Records.&lt;br /&gt;&lt;br /&gt;The REVILERS full length clocks in just over a half hour of pure, punk rock'n'roll perfection.  Brilliant, dynamic songwriting with excellent production that is not too polished and still packs a hell of a lot of grit.  This is an album of TRUE American working class punk-rock, without a single iota of pretense.  A flawless blend of American hardcore, Rock'n'roll, 82' UK punk, Oi... and even a Jerry Lee Lewis cover.  Get fucking ready, REVILERS are here to take punk-rock back to square one.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/"&gt;PATAC Records and Distribution&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="410" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=2516515490/size=grande3/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 410px; position: relative; width: 300px;" width="300"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/debut-album"&amp;amp;amp;amp;gt;Debut Album by REVILERS&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-size: 10px; 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text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/product/rawhide-branded-for-life-ep-7-vinyl"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-YG4Ui8KQRI0/TsAgLa0fpLI/AAAAAAAAAEM/vluiDFkgGqg/s1600/rawhidevinyl.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Now available on vinyl with download code, or as a &lt;a href="http://patacrecords.bandcamp.com/album/branded-for-life"&gt;'pay what you want' download.&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://patac.bigcartel.com/product/rawhide-branded-for-life-ep-7-vinyl"&gt;PURCHASE THE VINYL HERE!&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;"Lets see now... Motorhead while technically English now for all intents  and purposes are an LA band. Turbonegro lost its primo front man, so  someone has to take up the fight be the crown prince's of PBR fueled  motor-rock so it might as well be up to Sweden's Rawhide.   Motor-rock  are bands who's music is guitar heavy, Motorhead worshiping, cars,beer  swilling,outlaw style music. Think Zeke, early Supersuckers, Black  Knots, American Speedway. I love this shit!!! Right up my alley and  since Europe has few bands playing this purely American style rock n  roll these days Rawhide might as well go for it."&lt;br /&gt;-&lt;a href="http://www.punkglobe.com/rawhidereview1011.html"&gt;PUNK GLOBE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"&lt;span class="bodytext"&gt;Taking a page out of the careers of Birth A.D.  and Hellacopters, Swedish rock'n'roll brigade Rawhide break away from  their other jobs in more overbearing bands to try their hand at some  good old Gearhead-style rock on &lt;i&gt;Branded For Life&lt;/i&gt;. Still, they do  more than just tear shit down; they deconstruct it to the point of  stripped nuts and broken bolts by pulling from the influence of death  punks Turbonegro, balls-out grit gurus New Bomb Turks, the explosive  Hookers and the almighty Motörhead. Harkening back to the explosive,  pelvic dominance of Red Hot Lovers colliding against Bitchin' Camaros, &lt;i&gt;Branded For Life&lt;/i&gt;  is a grinding assault of barrelling punk rock'n'roll injected with  enough malicious metal to ensure there's even more danger, intensity and  cacophony than one would typically expect. Bullet may have held the  throne of up-and-coming Swedish dirt rockers, but with one fell swoop,  Rawhide have come along, stolen it and turned it into a filthy,  salaciously fiendish perch.&lt;/span&gt;" &lt;br /&gt;&amp;nbsp;-&lt;a href="http://exclaim.ca/Reviews/Punk/rawhide-branded_for_life"&gt;EXCLAIM.CA&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"this is a drunken party ride to the gates of Hell"&lt;br /&gt;-&lt;a href="http://hailswebzine.com/?p=588"&gt;HAILS Webzine&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"In the vein of such other brutal Scandinavian punk rock heavyweights as&amp;nbsp;&lt;b&gt;Hellacopters&amp;nbsp;&lt;/b&gt;and&amp;nbsp;&lt;b&gt;Turbonegro&lt;/b&gt;, Rawhide carve out a niche with their blackened sensibilities and &amp;nbsp;relentless rock riffs."&lt;br /&gt;-&lt;a href="http://graveyarns.wordpress.com/2011/09/04/rawhide-branded-for-life-2011/"&gt;GRAVEYARNS&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"Sweden is the land of origin of many rawk ‘n’ roll bands, who keep the  legacy of MC5, The Stooges, and others like them very much alive. Also  in this line you can place Rawhide; energetic garage punk rock ‘n’ roll  is fired at the listener, hitting target as a raging thunderstorm."&lt;br /&gt;-&lt;a href="http://www.lordsofmetal.nl/showreview.php?id=20051&amp;amp;lang=en"&gt;LORDS OF METAL&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In an age where bullshit bands rule the American airwaves, one may be  led to believe rock'n'roll is on life support if not dead already.   Thank god for Sweden however!  Over the years Sweden's greatest export  has been high voltage rock'n'roll: HELLACOPTERS, HARDCORE SUPERSTAR,  BACKYARD BABIES, NOMADS... and now RAWHIDE.&lt;br /&gt;&lt;br /&gt;RAWHIDE's 'Branded For Life' is a full-throttle race down the highway  to hell whilst making pit stops at every sleazy bar, strip joint and  sanitariums along the way.  RAWHIDE features members of Bestial Mockery,  Kill and Protector.&lt;br /&gt;&lt;br /&gt;Fans of Turbonegro, Gluecifer, Hellacopters, etc. take notice!&lt;br /&gt;&lt;br /&gt;Pressing Info: &lt;br /&gt;100x Clear/Blue &lt;br /&gt;400x Black&lt;br /&gt;Includes digital download card&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://i571.photobucket.com/albums/ss159/Punkglobe/october11/Rawhide.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://i571.photobucket.com/albums/ss159/Punkglobe/october11/Rawhide.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="295" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3850079227/size=tall/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 295px; position: relative; width: 150px;" width="150"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/branded-for-life"&amp;amp;amp;amp;gt;Branded For Life by Rawhide&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-size: 10px; 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text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/product/fistula-loser-12-vinyl-ep"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-VTV2I3OEDzk/TsAFwlomTwI/AAAAAAAAAEE/spTKCDcv9pU/s1600/fistulalp.jpg" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;FISTULA - LOSER LP&lt;br /&gt;500 copies will be pressed  including a digital download.&lt;br /&gt;100 copies clear&lt;br /&gt;100 copies blue&lt;br /&gt;300 copies black&lt;br /&gt;&amp;nbsp; &lt;br /&gt;Artwork by Eric from  GRIEF.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://patac.bigcartel.com/product/fistula-loser-12-vinyl-ep"&gt;BUY NOW!&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sludge fiends FISTULA have pulled themselves up out of the gutter  they call home and hooked up with Boston’s mighty PATAC Records to  release the Loser EP. This brand-new 12” is due out in September.  According to FISTULA ringleader Corey Bing, “It’s very dark and sad,  twisted humor, dense, heavy, tuned LOW. It sounds like The Hounds: old  metal, Venom style with GBH undertones. It sounds like Death playing  hopscotch with the apocalypse while finger-bangin’ Autopsy.” The  six-song record features the band’s trademark sickening guitar tone,  agonized vocals, and wretched attitude, worshipping as always upon the  bloodstained altars of Celtic Frost, Winter, EyeHateGod, and Buzzoven.&lt;br /&gt;&lt;br /&gt;Following in FISTULA’s long-running tradition of all-out chaos and  confusion, the Loser EP features an updated lineup – a nasty cast of  characters drawn from the likes of Anal Cunt (drummer Nate Linehan) and  King Fire Goat (Steve Barcus, vocals) alongside the OG members.&lt;br /&gt;At the heart of Fistula are guitarist/main man Corey Bing (who sings,  plays guitar, and/or drums on some releases, depending on who’s flaking  out at the moment) and bassist Bahb Branca, the toxic twins of sludge  metal, blood brothers who have been to hell and back together. They  started the band in 1998, and live a little cave in Cleveland, Ohio  called The Fistula House. And, yeah, being the good guys in a world of  shit, they have problems. We won’t name names, but a quick look at these  guys’ lives over the last year, and it’s like the kind of shit you’d  hear at a 12-step meeting. Divorce. Dependency. Depression. Destruction.  Shit just got worse. Some people hammered away at Fistula like they  were trying to make ‘em quit. But they didn’t. The band is back. Holy  shit, are they back.&lt;br /&gt;“We had our ups and downs,” says Bing. “But shit is ON.”&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;i&gt;"Loser&lt;/i&gt; sounds a lot like the &lt;a href="http://24.media.tumblr.com/tumblr_lhwifowCVi1qgl8g0o1_400.jpg" rel="lightbox[group]" title=" "&gt;Mimi Bobeck&lt;/a&gt; character.&amp;nbsp;&amp;nbsp; Fat and ugly"&lt;br /&gt;"grinding sludge played with reckless abandon. Nothing pretty whatsoever. "&lt;br /&gt;"The slow bits are like getting kicked in the head by steel-toed boots.  The faster pieces are like kicking some other poor yob in the head."&lt;br /&gt;-&lt;a href="http://www.metalstorm.net/pub/review.php?review_id=9507"&gt;Metalstorm.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"whiskey-soaked, bong water-infused sludge, but here’s the twist – it’s also straight punk, almost d-beat at times."&lt;br /&gt;-&lt;a href="http://www.cvltnation.com/loser-fistula-review-more/"&gt;CVLTNATION&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"a beautiful train wreck of malicious sludge and I absolutely love it."&lt;br /&gt;"Crushing, aggressive sludgy filth. That is what Fistula boasts and that  is exactly what they deliver. I can ask for nothing else."&lt;br /&gt;&lt;a href="http://americanaftermath.net/2011/06/17/review-fistula-loser-ep/"&gt;-AMERICAN AFTERMATH&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Expect Eyehategod/Buzzoven mixed with Anal Cunt, early Napalm Death,  Autopsy/Winter/Coffins... it's a clusterfuck of low end metallic muscle  that'll be about as gentle as a brass knuckle enema."&lt;br /&gt;"piss or get off the pot, this is the best Fistula yet!!!!"&lt;br /&gt;-&lt;a href="http://www.hellridemusicforums.com/forum/showthread.php?t=24769"&gt;HELLRIDE MUSIC &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"a true hybrid of such genres right down to every detail, rather than the  chop and change method adopted by many. Fathered by grind and nurtured  from a cynical mother of sludge, this release reeks of qualities of both  in a distinctive yet regal fashion."&lt;br /&gt;-&lt;a href="http://www.grindtodeath.com/zine/misanthropic-sludge-fistula-loser-2011.html"&gt;GRIND TO DEATH&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"doesn't necessarily sound like you're picking up some fine piece of ass  at a club, rather some blown out, cellulite-covered white trash  motorcycle mama who happens to have your name, and plenty of others,  tattooed on her ass. It is horrendous. It is foul. It's goddamn awesome."&lt;br /&gt;-&lt;a href="http://www.theinarguable.com/2011/06/fistula-loser-2011-patac-records.html"&gt;THE INARGUABLE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Cleveland, Ohio has produced some of the best metallic hardcore in the  universe. Bands like Integrity and Apartment 213 have solidified the  town’s reputation as a breeding ground for the dark and brooding side of  punk. Fistula is no exception. With a much more sludgy, down-tempo  approach to hardcore, Fistula have crafted a really interesting musical  portrait in Loser"&lt;br /&gt;-&lt;a href="http://www.doommantia.com/2011/07/album-stream-fistula-loser.html"&gt;DOOMMANTIA&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Foul, dejected, inhuman.  There are a plaethora of adjectives that go into the sound of a record by Cleveland doom killers &lt;a href="http://www.facebook.com/pages/FISTULA/138612389498325?sk=wall" target="_blank"&gt;&lt;strong&gt;Fistula&lt;/strong&gt;&lt;/a&gt;, downtrodden, face in the gutter doom"&lt;br /&gt;-&lt;a href="http://www.brooklynvegan.com/archives/2011/06/fistula_releasi.html"&gt;BROOKLYN VEGAN&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"With this EP, the band has captured the sound of merciless degradation  in glaring, horrifically pleasing clarity. Haunting at times, violent  and deadly at others, &lt;em&gt;Loser&lt;/em&gt; is the sound of sanity crumbling to  dust. The sound of the death knell ringing in our ears. If what “they”  say is true…if the end is truly near, then these guys will quite  possibly be playing the farewell party. The record’s title must surely  be a nod to the band’s detractors, because Fistula are most definitely  winning the battle!!"&lt;br /&gt;&lt;br /&gt;-&lt;a href="http://forbidden-magazine.com/2011/06/fistula-loser/"&gt;FORBIDDEN MAGAZINE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"This is nasty doom sludge. It reeks of death and is covered with  maggots. "Loser" as it is is fueled by the four "D"s- Divorce,  Dependency, Depression, and Destruction. That has been Fistula in a  nutshell this last year so its no wonder "Loser" is as shit-faced ugly  as it is. This stuff doesn't so much play on your speakers as creep out  of them waiting to dissolve you in it's putrid, toxic waste. Approach  this one carefully. You've been warned."&lt;br /&gt;-&lt;a href="http://metalmark.blogspot.com/2011/07/fistula-loser.html"&gt;HEAVY METAL TIME MACHINE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="295" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=14893836/size=tall/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 295px; position: relative; width: 150px;" width="150"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/loser"&amp;amp;amp;amp;gt;Loser by Fistula&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="295" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=14893836/size=tall/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 295px; position: relative; width: 150px;" width="150"&gt;&amp;amp;nbsp;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-size: 10px; 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Vinyl Details + Press'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VTV2I3OEDzk/TsAFwlomTwI/AAAAAAAAAEE/spTKCDcv9pU/s72-c/fistulalp.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-1721254264258049225</id><published>2011-07-16T07:22:00.000-07:00</published><updated>2011-07-16T07:22:13.378-07:00</updated><title type='text'>PANZERBASTARD Ready the War Machine and Announce Minitour with KOMMANDANT</title><content type='html'>&lt;span style="font-size: large;"&gt;PANZERBASTARD Ready the War Machine and Announce Minitour with KOMMANDANT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.metal-archives.com/images/3/5/4/0/3540292271_photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="233" src="http://www.metal-archives.com/images/3/5/4/0/3540292271_photo.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Lock up your doors and take cover: Boston’s PANZERBASTARD are coming to town…and they don’t play nice. Fresh off a triumphant UK/Irish tour with like-minded hellraisers and crust legends HELLBASTARD, band have just announced a string of upcoming gigs with Chicago's KOMMANDANT. They'll be razing the East Coast alongside the likes of Funebrarum, Ringworm, and Nails - check the dates below:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;7/29 - Philadelphia, PA @ The M Room w/Deceverion, Pale Existence&lt;br /&gt;7/30 - Secaucus, NJ @ The Blue Room Lounge w/Funebrarum, Death Sick&lt;br /&gt;8/11 - Allston, MA @ Great Scott w/ Ringworm, Nails, Bitter End&lt;br /&gt;&lt;br /&gt;In addition, PANZERBASTARD are now streaming a sneak preview track off their upcoming Gods, Thugs &amp;amp; Madmen EP (due out this September on PATAC Records) on their Bandcamp page. Listen here:&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=716820859/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://panzerbastard.bandcamp.com/track/gods-thugs-madmen"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Gods, Thugs &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp; Madmen by PanzerBastard&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=2654628181/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/centurion"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Centurion by Patac Records&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;BAND INFO&lt;br /&gt;&lt;br /&gt;Breaking out of the Boston underground, the diehard, motley Panzerbastard crew first reared their ugly collective heads in 2006, coming together from a veritable laundry list of Beantown’s most notorious underground acts, not the least of which is Bastard bassist/vocalist Keith Panzer’s legendary Boston hardcore outfit, Wrecking Crew.&lt;br /&gt;&lt;br /&gt;Since then, the band—rounded out by Andrew Bastard on guitar and vocals, Hollywood Bobby on guitar and Slarcus on drums—has wrecked necks, broken bones and desecrated souls all across the South Shore, earning their deserved reputation as one of the most annihilative live acts around; most definitely not for the faint of heart.&lt;br /&gt;&lt;br /&gt;Indeed, the quartet’s music is a reckless amalgamation of punk fury and intense, high-octane metal mayhem. From D-beating crust filth to electric, almost NWOBHM arrangements, Panzerbastard are in it for the long haul, determined to expand and explore the true destructive potential of their sound.&lt;br /&gt;&lt;br /&gt;We’ll let the music speak for itself, however: prepare to have your gut crunched by the merciless …just don’t say we didn’t warn you.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PANZERBASTARD are available NOW to speak with interested media parties. Please contact and forward all correspondence to Kim Kelly at Catharsis PR catharsispr@gmail.com or Dan at Patac Records: dan@patacrecords.com&lt;br /&gt;&lt;br /&gt;PANZERBASTARD IS:&lt;br /&gt;&lt;br /&gt;Keith Panzer—bass/vocals&lt;br /&gt;Andrew Bastard—guitar/vocals&lt;br /&gt;Hollywood Bobby—guitar&lt;br /&gt;Slarcus—drums&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/#%21/pages/PanzerBastard/310820522435?ref=ts"&gt;PANZERBASTARD on FACEBOOK&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/"&gt;PATAC Records.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.patacrecords.com/wp-content/uploads/2011/07/kommandantpb.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.patacrecords.com/wp-content/uploads/2011/07/kommandantpb.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.patacrecords.com/wp-content/uploads/2011/07/ringwormpb.png" imageanchor="1" style="margin-left: 1em; 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Executioners gigs and stories.</title><content type='html'>&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-family: Arial,sans-serif; font-size-adjust: none; font-size: 10px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;" target="_blank"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-AnoqB8OcjpI/ThIw-cEkPSI/AAAAAAAAAEA/njZghGTIJGA/s1600/exeposterfinal.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="283" src="http://1.bp.blogspot.com/-AnoqB8OcjpI/ThIw-cEkPSI/AAAAAAAAAEA/njZghGTIJGA/s400/exeposterfinal.png" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;OUT SOON&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Coming this July, the EXECUTIONER anthology disc. The entire 1982 recorded output, painstakingly restored and remastered on one convenient compact disc or digital download!  Comes housed in a foldout poster with extensive liner notes.&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;1. Fix Me&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;2. Hellbound&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;3. Why War?&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;4. Pack Of Lies&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;5. Kraft&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;6. Marked To Die&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;7. Crime Through Corruption&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;8. St. James Park&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;9. Love at First Sight&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;10. The Only Way&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;11. I Miss You&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;12. Flatlands&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;13. Cease Fire&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;14. The Bum&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;15. 1984&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;16. We Don't Need It&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;17. Bible Bangers&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;18. Obliteration&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;19. Nagasaki&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;20. State Executioner&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;21. War Machine&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;22. All The Dead&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;23. 1984 - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;24. Love At First Sight - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;25. Fix Me - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;26. Marked To Die - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;27. The Bum - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;28.The Only Way - Growing Pains&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;29. Fade With The Dawn&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Tracks 1-2, 4, 6-7, 9, 12, 14-15, 19, 29 1982 Sights &amp;amp; Sounds&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Tracks 23-28 Taken from the 'Growing Pains' Cassette&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Tracks 10-11, 13, 16-17, 21-22 'Growing Pains' Demo Session 1982.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Tracks 5, 18 Recorded live on Broadway 6/27/83&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Track 20 Recorded Live at The Fillmore House 11/23/82&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Tracks 3 &amp;amp; 8 Recorded in Salem 2008&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allowtransparency="true" frameborder="0" height="355" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3853678324/size=grande2/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 355px; position: relative; width: 300px;" width="300"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/executioner-the-anthology"&amp;amp;amp;amp;gt;Executioner: The Anthology by Patac Records&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: large;"&gt;ALSO AVAILABLE&lt;/span&gt; &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/product/executioner-fix-me-hellbound-7-ep"&gt;&lt;img border="0" height="300" src="http://cache0.bigcartel.com/product_images/32293251/5411_1030011410303_1825898763_63467_8103353_n-1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;h2&gt;&lt;a href="http://patac.bigcartel.com/product/executioner-fix-me-hellbound-7-ep"&gt;EXECUTIONER - Fix Me/Hellbound 7" - $4.99&lt;/a&gt;&lt;/h2&gt;&lt;h2&gt;&lt;a href="http://patac.bigcartel.com/product/executioner-fix-me-hellbound-7-ep"&gt;Cover Art by Winston Smith&lt;/a&gt;&lt;/h2&gt;&lt;h2&gt;&lt;br /&gt;&lt;/h2&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=1891879059/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/hellbound"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Hellbound by Patac Records&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;style type="text/css"&gt; &lt;!--  @page { margin: 0.79in }  P { margin-bottom: 0.08in }  A:link { color: #0000ff; so-language: zxx } --&gt; &lt;/style&gt;  &lt;/div&gt;&lt;div align="CENTER" style="background-color: black; color: white; margin-bottom: 0in;"&gt;&lt;span style="font-family: Abaddon™,serif;"&gt;&lt;span style="font-size: 48pt;"&gt;Executioner Gigs&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;First Gig:  Benefit for Ripper magazine (first SF Punk magazine; Tim Tonooka, editor in chief).    &lt;b&gt;Bad Posture, MAD, Ribzy, Grim Reality, Executioner&lt;/b&gt;, at the On Broadway, SF.     August 31, 1982.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Crucifix, Social Unrest, 5’th Column, Intensified Chaos, Executioner&lt;/b&gt; at New Method Industry, Emeryville. September 24, 1982.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Los Olvidados, Bad Posture, UXB, Fang, Intensified Chaos, Executioner&lt;/b&gt; at the Tool &amp;amp; Die, SF. October 22, 1982.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Red Kross, Rebel Truth, PLH, Executioner &lt;/b&gt;at the Tool &amp;amp; Die, SF. February 18, 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Crucifix, Social Unrest, PLH, Trial, Executioner&lt;/b&gt; at the Tool &amp;amp; Die, SF. March 18, 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Social Distortion, Ribzy, Faction, Grim Reality, Living Abortions,&lt;/b&gt; &lt;b&gt;Executioner&lt;/b&gt; at the American Legion Hall, Campbell. June 5, 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Executioner &lt;/b&gt;at Agnews State Mental Hospital. June 28, 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Dead Kennedys, Executioner&lt;/b&gt;, others at the On Broadway, SF. Summer 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Bad Brains, Executioner&lt;/b&gt;, others at the On Broadway, SF. Summer 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Executioner:&lt;/b&gt; Birthday Party for manager Danny Rodriguez, Campbell. Summer 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Executioner, Ribzy&lt;/b&gt;, others at the Tool &amp;amp; Die, SF. Autumn 1983 (recorded).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Executioner:&lt;/b&gt; Birthday Party at the Nauckhoff’s residence, Campbell. Late 1983.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Lemon Fresh Pledge of Defiance, Mistaken Identity, Grim Reality, Ribzy, Executioner&lt;/b&gt;, Unknown Paint Warehouse, Sunnyvale. November 12, 1983. (Murray Bowles photo-documented event &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="zxx"&gt;&lt;u&gt;&lt;a href="http://www.pbase.com/murraybowles/831112"&gt;http://www.pbase.com/murraybowles/831112&lt;/a&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;).                             (Last show with original lineup).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;Practice session at Mike and Gina’s (Charles Norman, Johnny Genocide, Dave Boston, Flame, Brian Heffron, Darrin Phipps: Johnny B. Goode unplugged ).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div align="CENTER" style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-family: Abaddon™,serif; font-size: small;"&gt;Reminiscences&lt;/span&gt;&lt;/div&gt;&lt;div align="CENTER" style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Agnews State Mental Hospital, Santa Clara, CA., June 21st 1983:&lt;/b&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Agnews State Mental Hospital had been around since the late 19’th century, and was essentially a ‘city within a city’ for the mentally ill as well as the emotionally and developmentally disabled. When the Great San Francisco Earthquake of 1906 struck, some of the walls of this ‘sealed city’ came down, and a significant number of inmates just wandered off into the community at large. It took them literally months to round up the wandering loonies and put them back into the structurally repaired sanitarium. Not all ex-inmates were recovered. Some just simply ‘re-integrated’ back into the surrounding community, and no one was the wiser. So… it was almost as a symbolic homecoming for these wandering crazies when we were given this gig.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;This performance was to be in the same vein as the early SF punk band CRIME playing San Quentin Prison nearly a half a decade before; but a little safer in terms of overall risk to the band. In the typed and mailed memo that Executioner received, we were given the rundown; developmentally disabled individuals (Down’s Syndrome, etc.) who had been under treatment for their condition, and had also been taught and counseled how to take charge of their own affairs (to a greater or lesser degree) were periodically released &lt;i&gt;en masse&lt;/i&gt; back into the community. These releases were commemorated with a proper ‘Prom’. The theme of this particular prom was &lt;i&gt;‘A Night in Tropical Paradise’&lt;/i&gt;. Suggested attire for the band included brightly colored floral Hawaiian shirts. I’m sure that some festive ‘Robinson Crusoe’ straw hats with the frayed brims would not have been unwelcome either. Even the suggested length of the set was clearly stipulated. In Executioner’s dealings with the management of the event, it was often emphasized to the event staff that this was a hardcore/metal crossover band. The management seemed unconcerned. They explained that loud, fast, exciting music would be just the thing to whip up their audience into a delightfully whimsical frenzy and that a festive mood would prevail, no matter what type of music Executioner chose to play. Well… we &lt;i&gt;did&lt;/i&gt; try to warn them…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Upon our arrival at the asylum gates (in our normal, ‘non-tropical’ attire), we were directed to the loading dock at the back of the combination auditorium/cafeteria where we loaded in the amps, and other gear. While loading in, two very business-like and matronly women introduced themselves as the ‘event coordinators’, and in a very friendly and enthusiastic way informed us again of the theme of the prom and their expectations for Executioner’s performance that evening. After setup and a brief sound check, Burks and Boston elected me as ‘MC’ for the evening, and requested that I announce the beginning of the show to the audience. I took the microphone from Burks, walked up to the edge of the stage, looked out over a seething sea of mongoloids, and in my best smarmy Las Vegas voice began…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;“Hey ! How’s everybody doing out there tonight ? [they all begin shouting and babbling at high volume] &lt;i&gt;All RIGHT !!!&lt;/i&gt;&lt;i&gt;personally&lt;/i&gt; welcome you to ‘A Night in Tropical Paradise’ ! …and now, to &lt;i&gt;take &lt;/i&gt;you to that Paradise, ladies and gentlemen, will you &lt;i&gt;PLEASE&lt;/i&gt; welcome:  &lt;b&gt;E  X  E  C  U  T  I  O  N  E  R&lt;/b&gt;    !!!!”&lt;/span&gt; Well, I’m here to &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;I handed the microphone back to Burks while the band launched into the harsh vamping instrumental intro of the song ‘Executioner’. After 8 bars, the plan was to have Burks leap in with his shrill and devastating buzzsaw vocals to launch into the full power and glory that was the ‘Executioner sound’ for the rest of the set. That was the plan, anyway…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;  Then there was the matter of the microphone itself…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;The microphone was part of an ancient, light-duty PA system that was vintage 1950s/1960s and intended for things like having the school principal announce “Friday’s lunch will consist of ‘Pigs in a Blanket’, Tater Tots and a special mystery dessert !”, to roaring applause.  That was the full extent of everyone’s expectations for the microphone; until Executioner showed up…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;…upon reaching the 8’th bar of the song, Burks leaps to the front of the stage, microphone in hand and with a very gymnastic whiplash flourish, shouts “Yeeeeee-AH !!!” (his rebel-yell/war-cry that normally began this particular song) . These were the last human words that this microphone would ever transmit. The pleasantly colored brown and green plaid &lt;i&gt;cloth-covered cable&lt;/i&gt; ripped right out of the back of the microphone as a consequence of the whiplash maneuver , and now there were to be &lt;i&gt;no more vocals from here on in&lt;/i&gt;. Burks, being a sharp lad, realized that he would be forced to &lt;i&gt;&lt;u&gt;&lt;b&gt;mime&lt;/b&gt;&lt;/u&gt;&lt;/i&gt; the entire set !  We all immediately realized that things were off to an unexpectedly bad start, but there was nothing to do but to soldier on…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Parallel with this ugly development was the sudden rush of the crowd to the front of the stage once the music started; in particular, Boston’s thundering drums, the Norman/Means 2-guitar attack, and Fraenza’s malevolent bass. The members of the audience were absolutely piled against the stage and were reaching out towards the band. We were all pretty flattered at such an enthusiastic response, and our egos were swelling by the second until we realized exactly &lt;i&gt;why&lt;/i&gt; they had rushed to the stage, hands outstretched…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Live bands rarely played here, so the stage was rarely used for purposes of live performance. The real reason that the inmates had rushed the stage was not to reach out to these ersatz ‘rock stars’, but to reach just beyond the foot-lights (which were very rarely used&lt;i&gt;) &lt;/i&gt;&lt;i&gt;&lt;b&gt;to stare at their own hands !&lt;/b&gt;&lt;/i&gt; They actually couldn’t give a shit about the band !  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;As the set finally concluded, poor Burks was exhausted from having to be overly athletic for the whole set to compensate for the lack of audible vocals, and all of that extra ‘body-English’ had brought him near to the point of total collapse. The whole night had been stiflingly hot, and Boston and I decided to go get something to drink, which meant entering the crowd (which we were both curious to do anyway, for obvious reasons). Making our way across the dance-floor, we were abruptly encountered by one of the inmates, who seemed very alert and had a particular air of mischief about him. He announced to Boston and I “Hi ! My name is BOB !” and stuck out his hand, offering it (apparently) for a handshake. As soon as Boston or I would extend our own hand to complete the handshake, ‘Bob’ would abruptly withdraw his own hand and with a maniacal laugh, run off and disappear into the thick crowd. He would do this, periodically, to Boston and I, for the rest of the evening, and we were only too happy to indulge this harmless little peccadillo, which seemed to amuse ‘Bob’ greatly… It seemed to be sort of symbolic of an evening in which a State Mental Hospital unleashed some epic whoop-ass on Executioner, when we thought that we would be the dominant force that night !  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Happily, the rather staid event coordinator ladies came up to us afterward and declared the prom, and in particular our performance, a roaring success based on the audience’s enthusiastic reaction.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;On Broadway, SF with Dead Kennedys and Bad Brains&lt;/b&gt; (2 separate, but closely scheduled gigs: Summer 1983):  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;When Punk Rock began in the mid-1970s, part of its charm was the ‘tear all of this old, bloated shit down and start again’ ethos. That meant ‘no fucking celebrities, no stars, we’re all equals: period !’. With the advent of hardcore (which the SF scene will tell you, started with the sudden rise of the Dead Kennedys, at least as far as the Bay Area is concerned), the ‘star system’ was back with a vengeance, as if it were only taking a wee nap in Hollywood the whole time. In most of the smaller gigs of the early 1980s, &lt;i&gt;&lt;u&gt;any&lt;/u&gt;&lt;/i&gt; of the bands who showed up to play at a given venue could have ‘headlined’ (for the most part). It was often decided by coin toss, or some other random means. That’s how egalitarian things were at the time. Every band prided itself on its rough, dirty street-level sound. Too &lt;i&gt;much&lt;/i&gt; musicianship was frowned upon as getting dangerously close to the dreaded excesses of the Metal and Prog-Rock genres of the time. Too many notes in a solo might get your ass kicked after the show by boot-boys who would crush any apparent poseur or pseudo-scenester. This was to change, however, once promoters realized that certain bands and their growing following could fill a hall, while others were destined for nothing more than exile in their garage practice space, languishing in obscurity. Welcome to the On Broadway, 1983 !  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;The On Broadway (now ‘Broadway Studios’) was directly above the epicenter of SF Punk Rock, which is to say the ‘Mabuhay Gardens’ (run at that time by Dirk Dirksen and Ness Aquino). The On Broadway was once a gorgeous and proper theatre for light entertainment, etc., complete with velvet stage curtain and all of the other lavish trimmings that one would expect for a small-to-medium sized theatre from San Francisco’s heyday; many decades before the 1980s. On the west side of the Mabuhay/On Broadway building stood an alley where a 2-story daunting steel staircase lead to the On Broadway backstage area for loading in gear. In fact, if I earned a beer for every Marshall cabinet and amp I’ve ever had to wrestle up those fuckers, I’d need a new liver and kidneys by now (fair warning to any sap who thinks that being the manager of a Punk Rock band is strictly a ‘back office’ affair with a secretary, a FAX machine, a comfy chair upholstered in diamond tuck and a water cooler).  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;At load in and set up, we were to face the resident ogre of the establishment for our sound check; a cranky, worn out hippie soundman who pretty much hated all varieties of Punk Rock. During sound check at the On Broadway, a typical exchange with the sound guy went something like this: Charles would say something like “Could we have a little more guitar in the monitors, please ?” This simple request would enrage him nearly to the point of planning which one of us he was going to shank first with any broken beer bottle nearest to hand.  Sound check needed to happen in about 60 seconds (without any troublesome requests), or he would sabotage your sound into a muddy and undifferentiated sonic mucous that even the Melvins would find distasteful. After several requests on our part, he would finally relent. “Alright ! Alright ! You fuckers are gonna sound just like Led Zeppelin when I get through with you !” he would sneer at some point during the proceedings.  So, after that ordeal was over, Boston would leave the guy baffled as to proper microphone placement for each of his percussion elements. We’d leave to procure food and booze, while the sound guy would be left tinkering and working his ‘magic’ on our behalf, but unimpeded by our ‘constant interference’. I mean, shit, we’re only the musicians. What the hell would we know about sound ?!?!  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Upon returning from whatever hell-hole we’d had dinner at in SF’s North Beach, we’d be ready to do the show. We’d be told by the stage hand “You guys go on in 15 minutes.” This often meant a panic for Bill Fraenza (during these early days he had a bit of anxiety in front of larger crowds; he’s since become a very seasoned performer through a long succession of bands, and is now completely devoid of stage fright). Bill would come over to Boston and I and say “I need a 40 ouncer of Bud, or I’m not gonna play !” This meant that Boston and I would have to run across the street to the liquor store that was run by angry and suspicious Persians, and ‘run the gauntlet’. The Persian proprietors probably had come over from Iran in the mid-1970s with master’s degrees in medicine and law, and now, in this so-called ‘land of opportunity’, they were reduced to selling Muscatel and Night Train to derelicts as well as clove cigarettes and Budweiser to stegosaurus-mohawked punk rockers. So as to preserve the little nest egg that was their store’s inventory, they had a strict and inflexible policy of &lt;i&gt;only 2 punks in the store at the same time&lt;/i&gt;. This was meant to curtail any thievery on our part, which many punks would engage in any way as a matter of honor and craft. Needless to say: you didn’t just ‘pop into the liquor store’ for a quick beer before the show.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Once we hurried back inside the club, there was only enough time to write out a single set list, which was kept just in front of Boston’s drum riser. I would usually conceal myself behind Boston’s drum kit during the set, prepared to leap out and plug a suddenly unplugged guitar back in, or make sure that the lads had enough to drink while onstage, etc. This unfortunate single set list arrangement meant that I was to call out each new song in the set at the top of my lungs, so that everybody in the band knew what the fuck to play next. The show began, and in pretty short order, I saw &lt;b&gt;Jello Biafra&lt;/b&gt;’s head at front-center stage with a big smile on his face worthy of Howdy-Doody. He seemed to really appreciate our sound. The set went very well, and we went offstage in about a half an hour. Everyone was exhausted, especially with the summer heat, and we tore everything down as quickly as possible to prepare the stage for the next band, and to secure our gear until load out (so no one could rip us off). Jello comes up to us as we’re wrangling our gear and says “You guys sounded great ! By the way, are you guys from Stockton [a nearby cow-town, known for its hicks] or something ? You guys were callin’ out the songs like you were running a square-dance !” We managed some weary laughter and promptly proceeded to get fucked up and see the rest of the show.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;At the end of the evening, with the headliner at last offstage, it was that moment that every band member and band manager dreads: getting paid. At the On Broadway, this entailed going into the ‘office’, and humbly requesting your fee for musical services rendered from the management team of &lt;b&gt;Dirk Dirksen&lt;/b&gt; and &lt;b&gt;Paul Rat&lt;/b&gt;. As the manager, it was my job to see that we weren’t too badly raped. The Gate and Bar revenues were tallied, overhead was deducted and the remnants of the cash would be doled out to the various performers in little envelopes, each with a band’s name on it.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;The tally for these 2 shows went like this:&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Dead Kennedys: $1500.00&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Bad Brains: $1250.00&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Executioner: $40.00&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;After playing your heart out and maybe being able to pay for your dinner that evening from your meager wages, it was time to lug all of your shit down the widow-maker back stairs. As you pulled away in your truck full of gear, you would see the bright pink neon of the numerous North Beach strip clubs washing down on the drunks stumbling by the barkers and busty babes, all the while knowing that you were closer to the bum end of the scale, than having your name in neon lights any time soon. Such is the harsh reality of the ‘Rock and Roll’ dream…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;[Note: the entire live Executioner set from the On Broadway Dead Kennedys show has been recorded directly from the mixing board and will be a future release].&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;For the &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;Bad Brains&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt; show at the &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;On Broadway&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;, all of the above still held true with the addition of a couple of small but significant events:&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;After Executioner left the stage in their opening slot for the evening, Dave Boston wanted to get the fuck out of there until the headliner, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Bad Brains&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;, went on. We walked out on the supporting band (whoever that may have been), pushed our way down the interior stairs and spilled out onto the chaos that is Broadway, SF running at full tilt on a summer Saturday night. Broadway consisted of certain ‘primal elements’ that made up this 3 block strip: &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;the 4 ‘T’s&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;: namely: &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Tricksters, Tramps, Tits&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; and &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Trouble&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;. Boston tells me “Man, I want a beer, but I don’t wanna go back to those cranky Persian fuckers at the liquor store across the street, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;and then&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; have to down the same beer in a dark alley like some criminal. I wanna drink a civilized beer like an adult in a place that has some &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;fucking ATMOSPHERE&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; !” I remind him that such an undertaking would involve having a proper I.D., and that he being 16 or 17 years old at that moment, it wasn’t too damn likely for tonight ! Suddenly, he gets a smile on his face like a man who’s just been given a day-pass to a Nevada Cat-House, while dipping his fingers into one of his shirt pockets. Out leaps some other person’s California Drivers License (I can’t recall who it even belonged to) between his fingers, that &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;just happens&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; to be over 21. I ask him “Where in the fuck did you get THAT ?!?! It’s not even YOU !” He waved me off with a wagging index finger and pointed to the Strip, as if to say ‘You just pick the place. Don’t hand me any more bullshit !’ Grumbling, I concede “Alright, alright… I know a place where they probably won’t throw us out &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;right away&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;. Come onnnnn…” …and so we shuffled westward down Broadway, took a right on Columbus and another quick right onto Grant Ave. &lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;There, on the corner of Grant Ave.&amp;amp; Fresno Street (the hell-hole California city of Fresno certainly being an ill omen for this evening), stood a derelict old place that had been there since the 19&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;sup&gt;th&lt;/sup&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; century, when this was all part of the &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;City of Sin&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; known as the &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Barbary Coast&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; (named after the African Coast of a century or two before where &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;real&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; pirates plied their trade in great numbers. The original Barbary Coast was eventually burned to the ground, almost in its entirety, supposedly by ‘accident’ (but really ‘on purpose’, by disgruntled, city-minded folk)). The &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;official&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; name of the bar was simply ‘&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;The Saloon&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;’ (and it still stands there today on the selfsame spot, open for business). One actually entered into this fine establishment through the corner of the building where there should have been a door. There wasn’t a door (to the naked eye) that I could detect. The place was packed with loud drinking yahoos who were spilling out onto the curb like something you’d see on ‘Bonanza’ after a cattle drive, when everyone would spend their money on whiskey and women, then wake up the next morning in a Mexican jail with no recollection of the previous evening’s festivities in any useful detail; especially that new tattoo that they just woke up with… &lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;It seemed a most suitable spot indeed for Boston’s official ‘Baptism by Beer’. I motioned for him to him to go in, and his eyes became as big as saucers. This place was about as wild a drinking locale as one could have hoped for. We wedged our way in, past the seemingly endless wall of old, burly, bearded men swinging their beer mugs around, sloshing everybody, and at last, bellied up to the bar. The bartender, another burly, bearded guy, asks me “What’ll it be?” I realize that I don’t even know what the hell Boston wants to drink, and I &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;can’t&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; drink (even though I’m about 26 years old during this period) because I have to do manager-type shit for Executioner, like get our asses &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;paid&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; tonight ! So I lean over to Boston and say “Whaddya want ?”. “Beer ! ” replies Boston. I roll my eyes and swivel back to the barkeep and say “Give my friend here your finest beer on tap.”.  “&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Pabst Blue Ribbon&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; OK ?” inquires the bartender. “Oh, it &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;sure&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; is !” I reply with a half-hearted smile, wondering how many more seconds it’ll be until the axe falls on both of us as we’re trampled to death by the work boots of the angry natives who’ve at last detected our unwelcome intrusion into their &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;sanctum sanctorum&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;. The barkeep stabs his index finger in Boston’s direction and asks me “He 21 ?”. I give Boston the look of ’well, here we go, straight to Hell’. Boston, however, calmly extracts the fake I.D. and offers it to the bartender like he’s been doing it for years; calm, cool and collected like an experienced diplomat. The bartender starts giving the I.D. the ‘hairy eyeball’; scrutinizing every detail. After some deep analysis, the bartender looks up at Boston and says “6 feet tall, huh ?”. Boston hops off of his barstool and stands erect with a big smile on his face, stretching himself out to his full height like a soldier in front of his drill sergeant; ready for inspection. The bartender remarks ‘Damn, that kid is &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;TALL&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; !”. I reply impatiently, “Yeah; it’s glandular; runs in the family… Can we get a &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;BEER&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; here, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;PLEASE&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; ?!?!” (wanting to just get this suspenseful ordeal over with). The bartender flips the fake I.D. back onto the bar in front of Boston’s bar stool with a scowl, and turns to pull the tap on a fresh mug of PBR for our boy. Boston gives me a look like ‘See ? Everything is under control.’, just a smilin’ like it was all proceeding according to his master plan. The bartender returns, pops the beer in front of Boston and says to me “That’ll be 2 bucks.”. I hand him a 5 and tell him to keep the change. The bartender loves me again. I look over at Boston, who is just taking his first sip. An expression creeps over his face akin to a man who is slowly easing himself into a pair of new mink-lined underpants: pure and sublime enjoyment. He nods at me with an ‘everything has met or exceeded my expectations’ kind of look. I’m slightly relieved that the worst seems to be over...&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;We stay for another beer, before I inform Boston that we’d better get back if we want to see Bad Brains. He slams the last of his second beer down, and we exit the bar while saluting the barkeep. “Come back any time” the bartender shouts, smiling (we ended up paying him $10.00 for two $2.00 beers, just to keep the peace). “Not bloody likely.” I mutter under my breath, as I drag Boston out of the bar and back onto the madhouse that is the Broadway thoroughfare once more.  &lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;We get back to the front entrance of the On Broadway. Jennifer (Patterson, Johnny Genocide’s (‘No Alternative’, ‘KGB’, ‘Swingin’ Possums’, etc.) future wife) is working the door. On either side of her are 6 foot tall horizontal stacks of skateboards. Each of these skateboards would be surrendered by a punk before they were allowed up the stairs to see the show. Miraculously, every one of these skateboards would find its rightful owner at the end of the evening, regardless of how crazy and manic the show might have been. I don’t think they ever lost a single one. We show Jennifer our hand-stamps, tell her that we’re with Executioner and she motions us up the stairs. We stop at the bar on the second floor; the On Broadway Club, proper. I gaze over at the balcony on the south side of the club, which has a glorious view of the San Francisco skyline. There, basking in the moonlight is Dave Burks &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;SMOKING POT&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; with &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;HR&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; and the other guys from &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Bad Brains&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;. It’s in that very moment that I realize managing Executioner is definitely going to shorten my lifespan: probably ending it sometime next week…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Tool &amp;amp; Die with Ribzy, others &lt;/b&gt;(late 1983):  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; &lt;/b&gt;&lt;i&gt;[Note: the entire set from the performance described below was recorded straight from the mixing board (mistakes, problems, stage dialog, etc.) and will be part of a future ‘Executioner LIVE’ release.]&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt; In some ways, the Valencia Tool &amp;amp; Die was the direct opposite of the On Broadway. Where the On Broadway was a spacious theatre with a full stage, theatrical lighting, full PA, etc., the Tool &amp;amp; Die had no real stage at all; just a corner of the room dedicated to the musical performance of the moment, and even this was of very restricted size with no elevated riser. A small closet on one wall provided the erstwhile ‘bar’ and all of this was in a cramped basement that was just over 6 and half feet tall. The entire affair was accessed through a hatch in the floor of the ground level of the building.  The size of the hatch was approximately 4’ x 4’ and lead to something like a cross between stairs and a ladder. To get a full Marshall cabinet through the hatch and down the stairs without skinning your knuckles was like trying to pull a basketball out of a hippopotamus’ ass without trying to get your hands dirty. One lapse in your vigilant concentration and all was lost.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt; The ground/street-level floor lead from Valencia street through a quiet sort of art gallery setting where people could visit and look about at the art and graffiti on the walls. The bottom/basement story had only recently been set up for live performances within the last few years at that time (circa 1979/80) and large amounts of sand had been used to deaden the subterranean performance space so that even if a band like Crucifix was playing at full power, as long as the hatch was closed, the worst of your worries were merely the little eruptions of dust and sand puffing up around the periphery of the hatch in time to the thump of the bass cabinets. That was about it. As the performance area was part of the support structure of the building, the entire basement level was interspersed with 1’ x 1’ vertical pilings. What this resulted in, particularly for punk and hardcore performances was something that resembled a manic Pachinko game of little shaved heads trying to approach maximum velocity and power through random collision, once a ‘pit’ really got going. The enthusiastic stubble-headed 15 to 16 year old punks (Kat Hill of Ribzy and Kitty Litter used to call them ‘Burr-Heads’, since their close, yet somewhat spiked hairdos resembled cockleburs) would build such a momentum that anyone downstairs would be treated to a sort of ‘washing-machine jammed full of tennis balls’ effect as the music would oscillate between ‘Swivel’ and “Slam’ tempos in the pit, which, as I say, was studded with vertical support columns every few feet. But even with all of this going on, the cops wouldn’t suspect a thing if they were to drive or even &lt;i&gt;walk &lt;/i&gt;by the place; so effective was the ‘sonic containment field’ of the hatch. In fact, it took over TWO YEARS for the cops to catch on at all to the reality that punk/hardcore shows were going on here several times a week.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt; I remember people like Mark Dagger, Spike and others who would run security on both levels, and they were &lt;i&gt;very effective&lt;/i&gt;. Shit &lt;i&gt;&lt;u&gt;was not&lt;/u&gt;&lt;/i&gt; going to go down and ruin it for everyone, and so it was. All was well and conditions were perfect for our little hoe-down that night.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;At any rate, we arrived during the late afternoon and shoved all of of our shit down the hole so that we could get to the beer-drinkin’ and chick-charmin’ part of our evening. Greg Oropeza and Ribzy also arrived around the same time. The relationship between Executioner and Ribzy was one of benevolent ‘c&lt;/span&gt;&lt;span style="font-family: Calibri,serif; font-size: small;"&gt;öop&lt;/span&gt;&lt;span style="font-size: small;"&gt;etition’. Heated arguments would often break out over who would headline and who would support for a given show (and both bands were often on the same bill), but when one of these 2 bands was onstage and the other was in the pit, there was nothing but pure support, because we were both San José (or South Bay) bands playing in a foreign city.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;It was decided that Ribzy would go on first and that Executioner would headline. This allowed Greg to have his energy burst early, play his heart out and get back to beer-drinkin’ while Executioner entertained &lt;i&gt;him&lt;/i&gt;.  Ribzy played a fun but powerful set. As Ribzy moved all of their gear to one side and we began to move all of ours into position for playing, Greg grabs the house mic (which is still live) and puts his hand around my shoulder so that we can sing an impromptu version of ‘Dem Belly Full (But We Still Hungry’) &lt;i&gt;a capella&lt;/i&gt; style. I don’t even know &lt;i&gt;why&lt;/i&gt; this happened, but it seemed to foreshadow the rest of the evening. Greg grew impatient and wanted Executioner to entertain him damned soon, so… as Executioner finishes tuning up Greg yells into the mic  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;“&lt;i&gt;Here’s the Bar, there’s the Beer, let’s hear more EXECUTIONEEEEER !”.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Upon which, Boston clicks off a 4-count and we’re off to the races ! Charles’ power-chording blasts in and Greg can still be heard shrieking &lt;i&gt;“EXECOZEEEEEEE !”&lt;/i&gt; over the still live house mic. I can see that the mixture of the booze and anticipation (from waiting around all day to headline) has reached a fever pitch which has resulted in an Executioner set where everything is just right. The sound is like M&lt;/span&gt;&lt;span style="font-family: Calibri,serif; font-size: small;"&gt;ö&lt;/span&gt;&lt;span style="font-size: small;"&gt;torhead and the Germs (&lt;i&gt;studio&lt;/i&gt; Germs) have collided in this tiny place. I’ve never seen Executioner play this well, either at practice or live at a gig. Everything is going swimmingly. Suddenly, as Charles goes for some flash maneuver on ‘Hellbound’, he hits the multi-position pickup selector switch on his Les Paul to choose a different pickup for the lead, and the guitar sound completely loses all distortion. The Marshall cabinets are delivering not the buzzsaw &lt;i&gt;proto-metal meets hardcore&lt;/i&gt; sound that’s &lt;i&gt;supposed to come out&lt;/i&gt;, but instead, something that resembles a ukulele fighting with a banjo inside of the Grand Ole Opry while a Fender Telecaster acts as referee !  Everyone in the mayhem that is the pit looks up to see what the fuck is going on, like they’ve been horribly gypped or something. Poor Charles feels the heat of everyone’s eyes upon him, so he still continues to play, but the problem is absolutely not going away, no matter which pickup he selects. He keeps soldiering on to the end of the song, but everything just sort of peters out. Now, we’re in troubleshooting and guitar repair mode, &lt;i&gt;onstage&lt;/i&gt;. The other members of Executioner are forced to stand idly by while Charles does surgery on his Les Paul live for the crowd. Charles has brought only 1 guitar.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;After a couple of minutes of tinkering, he thinks he’s got it licked, so the set is begun again, from the top. ‘Hellbound’ starts up; the crowd and the band are at fever pitch once more. Charles goes for the power lead &lt;i&gt;again&lt;/i&gt;, reaches for the pickup selector switch and the problem is back in all of its previous ugliness. Because beer, boredom, testosterone and adrenaline have been building up all day, this problem is turning the entire Executioner set into a complete ‘dry hump’ for both the crowd &lt;i&gt;and&lt;/i&gt; the band .  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Boston shrieks &lt;i&gt;“FIX the FUCKER !!!”&lt;/i&gt;. Dead stop.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Charles has to do more repairs on the Les Paul, while everyone stands around.   &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Finally, Charles says he’s ready to give it another go. Executioner blasts through their entire set with only minimal problems and maximum effect. Everyone is so relieved that they’re getting a little giddy, and it’s now approaching 2 AM or so.  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Charles leans over to Boston, there is a quick exchange between them, and Charles nods his assent. He starts playing the intro to “Purple Haze’ by Jimi Hendrix on his guitar, while Boston declaims “OK, Flame !”. As ‘Purple Haze’ was one of the riffs that Charles would play casually between songs during practices (along with “Love Me like a Reptile’ by M&lt;/span&gt;&lt;span style="font-family: Calibri,serif; font-size: small;"&gt;ö&lt;/span&gt;&lt;span style="font-size: small;"&gt;torhead, ‘Rock and Roll’ by Led Zeppelin, and a handful of others), the joke was always that &lt;i&gt;&lt;u&gt;I&lt;/u&gt;&lt;/i&gt;&lt;u&gt; &lt;/u&gt;should actually sing the song some time during a live set for a couple of reasons. I had actually seen Hendrix perform live in San José in 1969/1970, and since I was old enough to have participated in the Hippie movement, it was thought I’d be the only one who had the right to sing it. Burks shouts into the mic “OK, Flame !”, echoing Boston’s sentiments. Burks hands me the mic and I proceed to belt out a nearly pitch-free monstrosity version of the song. As there are no stage monitors: I can’t even hear my own voice, except for when it is bouncing off of the back wall. It all comes to a shambling end. The evening and performances are over at last.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;Time to roadie everything back to the car and pack it up for the hour-long drive south. As we wrestle all of our shit back out of the hole and stack it next to the dreaded hatch, I look over to see the following &lt;i&gt;&lt;u&gt;new&lt;/u&gt;&lt;/i&gt; graffiti on the Tool &amp;amp; Die gallery wall:&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;“&lt;i&gt;&lt;b&gt;Hide your Daughters and Neuter your Wives ! &lt;/b&gt;&lt;/i&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;Executioner is coming to your town !”&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in; text-indent: 0.5in;"&gt;&lt;span style="font-size: small;"&gt;What a great and delicious epitaph…&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;/div&gt;&lt;div style="background-color: black; color: white; margin-bottom: 0in; margin-left: 1in;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;All notes above: Raymond E. 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Executioners gigs and stories.'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-AnoqB8OcjpI/ThIw-cEkPSI/AAAAAAAAAEA/njZghGTIJGA/s72-c/exeposterfinal.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-3928903206795227949</id><published>2011-06-26T15:59:00.000-07:00</published><updated>2011-06-26T15:59:00.602-07:00</updated><title type='text'>Milo's Syndicate - War is Peace CD distributed through PATAC</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-T5VWwwTd6K8/Tge5YYL5-gI/AAAAAAAAAD8/TTUbRsLdK4s/s1600/milosweb.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://1.bp.blogspot.com/-T5VWwwTd6K8/Tge5YYL5-gI/AAAAAAAAAD8/TTUbRsLdK4s/s320/milosweb.png" width="320" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/product/milo-s-syndicate-war-is-peace-cd"&gt;Buy CD $9.99&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Recorded back in 2009, Milo's Syndicate 'War Is Peace' finally sees the light of day. Tight, aggressive pissed off Boston hardcore with tons of melodic Oi influence and vicious hardcore grit.&lt;br /&gt;&lt;br /&gt;&lt;iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3025278808/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/album/war-is-peace"&amp;amp;amp;amp;gt;War Is Peace by Patac Records&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-family: Arial,sans-serif; font-size-adjust: none; font-size: 10px; font-stretch: normal; 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text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-5fD31SkX3bE/TfTuR7WhbKI/AAAAAAAAAD4/c7QQvjxVo3I/s1600/DSCF2147.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://3.bp.blogspot.com/-5fD31SkX3bE/TfTuR7WhbKI/AAAAAAAAAD4/c7QQvjxVo3I/s320/DSCF2147.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I'm still in shock. I didn't want to believe the news when Tim Morse called me yesterday afternoon.&amp;nbsp; One of the best people I have ever met, is no longer with us.&amp;nbsp; Seth Putnam and I had only become close a couple years ago, but it seems like i've known him for decades.&lt;br /&gt;&lt;br /&gt;I'll always remember the good times, driving around blaring Death (Detroit), Slaughter, Motley Crue and Motorhead screaming at the top of our lungs and destroying inanimate objects.&amp;nbsp; Pounding scorpion bowls and cracking each other up until we thought our ribs would shatter.&amp;nbsp; Whether people enjoyed your music or got your sense of humor, it didn't matter, you were a man who was 100% passionate about his music, loved life and loved his friends even more.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;I'm not going to say goodbye, just thanks.&amp;nbsp; Thanks for all the good times, knowing you has made me a better person.&amp;nbsp; I dedicate this song to you, I don't even remember how many times we listened to this disc on tour, it was so scratched it sounded like a power electronics noise record.&lt;br /&gt;&lt;br /&gt;Till we meet again pal, save me a stool at the bar, i'm gonna buy a few rounds of kamikazes and i'll have a few stories to tell you.&lt;br /&gt;&lt;br /&gt;Dan&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="349" src="http://www.youtube.com/embed/WIXg9KUiy00" width="425"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-family: Arial,sans-serif; 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This brand-new 12" is due out in September. &lt;br /&gt;&lt;br /&gt;According to Fistula ringleader Corey Bing, “It’s very dark and sad, twisted humor, dense, heavy, tuned LOW. It sounds like THE HOUNDS: old metal, VENOM style with GBH undertones. It sounds like DEATH playing hopscotch with the apocalypse while finger-bangin’ AUTOPSY.” &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://i685.photobucket.com/albums/vv219/Metaltim/May%202011/2258455049-1jpg.png" /&gt;&amp;nbsp;&lt;/center&gt;&lt;center&gt;&amp;nbsp;&lt;/center&gt; &lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=977566840/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;lt;a href="http://patacrecords.bandcamp.com/track/picking-up-chicks"&amp;amp;amp;amp;gt;Picking Up Chicks by Patac Records&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The six-song record features the band's trademark sickening guitar tone, agonized vocals, and wretched attitude, worshipping as always upon the bloodstained altars of CELTIC FROST, WINTER, EYEHATEGOD and BUZZ*OVEN &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Following in Fistula's long-running tradition of all-out chaos and confusion, the Loser EP features an updated lineup - a nasty cast of characters drawn from the likes of ANAL CUNT(drummer Nate Linehan) and KING FIRE GOAT (Steve Barcus, vocals) alongside the OG members. &lt;br /&gt;&lt;br /&gt;At the heart of Fistula are guitarist/main man Corey Bing (who sings, plays guitar, and/or drums on some releases, depending on who’s flaking out at the moment) and bassist Bahb Branca, the toxic twins of sludge metal, blood brothers who have been to hell and back together. They started the band in 1998, and live a little cave in Cleveland, Ohio called The Fistula House. And, yeah, being the good guys in a world of shit, they have problems. We won’t name names, but a quick look at these guys’ lives over the last year, and it’s like the kind of shit you’d hear at a 12-step meeting. Divorce. Dependency. Depression. Destruction. Shit just got worse. &lt;br /&gt;Some people hammered away at Fistula like they were trying to make ‘em quit. But they didn’t. The band is back. Holy shit, are they back. &lt;br /&gt;&lt;br /&gt;“We had our ups and downs,” says Bing. “But shit is ON."&lt;br /&gt;&lt;br /&gt;LOSER will be unleashed in September, 500 copies with poster and digital download.&amp;nbsp; Art by Eric from GRIEF. &lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-family: Arial,sans-serif; font-size-adjust: none; font-size: 10px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;" target="_blank"&gt;&lt;fieldset style="-moz-border-radius-bottomleft: 4px; -moz-border-radius-bottomright: 4px; -moz-border-radius-topleft: 4px; -moz-border-radius-topright: 4px; background-color: black; border: 1px solid rgb(204, 204, 204); color: darkred; margin: 0.5em 0pt; padding-top: 1.5em; text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;legend style="-moz-background-clip: border; 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               }                if (f){                    $(f).append(html);                    $(input_id).focus();                } else {                    $('#mce-'+resp.result+'-response').show();                    $('#mce-'+resp.result+'-response').html(msg);                }            }        } catch(e){            $('#mce-'+resp.result+'-response').show();            $('#mce-'+resp.result+'-response').html(msg);        }    }}&lt;/script&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-3084242252325532508?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/3084242252325532508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/3084242252325532508'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2011/06/fistula-loser-12-vinyl-ep-to-be.html' title='FISTULA - LOSER 12&quot; Vinyl EP to be released on PATAC Records.'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i685.photobucket.com/albums/vv219/Metaltim/May%202011/th_2258455049-1jpg.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8528706528656604057</id><published>2011-03-27T19:00:00.000-07:00</published><updated>2011-03-28T00:08:00.321-07:00</updated><title type='text'>Insult/Rampant Decay Split 7" Vinyl EP Out Now! RAMPANT DECAY on Tour!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://c2.ac-images.myspacecdn.com/images02/133/l_f683275ba2a64cfea9bf321055fcf0d9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://c2.ac-images.myspacecdn.com/images02/133/l_f683275ba2a64cfea9bf321055fcf0d9.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;This split offers up a handful of tracks from two of Boston`s finest. Insult have been kicking around since the early 90`s, and they haven`t changed much. They`re still kicking out rapid fire, whiplash hardcore tunes. Fans of Siege, Deep Wound, and SSD will dig the band`s old school, speed for the sake of speed approach, which never really hits the pace of grindcore or powerviolence, but still packs a mean wallop due to its raw intensity. They offer up six songs in under four minutes, ending with the midtempo "Diddler On Patrole", which sounds closer to Black Flag, and is the longest track, clocking in at just under a minute and a half.&lt;br /&gt;Rampant Decay are a newer act, forming in 2006, and their sound is even more aggressive and abrasive. They mix elements of grind, thrash, crust punk, and sludge into a colossal blender and spew out short, well constructed anthems for these shattered times. They contribute three distinct tracks to their side of the split, and each has its own defining moment. "Apocalypterian" juxtaposes blasts and chainsaw guitars with slowed down sludge, while "Pigshit" is characterized by its infections breakdown. "I Wish All My Friends Were Dead" brings more of a Discharge influence to the table, before exploding into blasts for the grand finale.&lt;br /&gt;All in all, this is a cool split with an old school vibe that reminds me of seven inch splits of lore, from "back in the day." While Insult definitely have that throwback vibe to them and will appeal to those who loved the &lt;i&gt;This Is Boston, Not LA&lt;/i&gt; comp, Rampant Decay seem to have more modern sensibilities, and I can see them winning over some fans from the extremephiles that frequent this site. Recommended.&lt;br /&gt;-Stonerrock.com&lt;br /&gt;&lt;br /&gt;RAMPANT DECAY will be embarking on a one week tour to support this new release:&lt;br /&gt;&lt;br /&gt;April&lt;br /&gt;29 Brooklyn, NY - The Acheron&lt;br /&gt;30 Philadelphia, PA - JR's Bar&lt;br /&gt;&lt;br /&gt;May&lt;br /&gt;01 Baltimore, MD - Barclay House&lt;br /&gt;02 Pittsburgh, PA - Kopec's&lt;br /&gt;03 Cleveland, OH - Now That's Class&lt;br /&gt;04 Lansing, MI - Oade's Hidden Camel&lt;br /&gt;06 Appleton, WI - Locust Lounge&lt;br /&gt;07 Cleveland, OH - Tower 2012&lt;br /&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" data="http://bandcamp.com/EmbeddedPlayer/album=1170263383/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" height="410" type="text/html" width="300"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=1170263383/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=1170263383/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_486158061"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/rampantdecay"&gt;Rampant Decay on Myspace&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/natelinehandrums/"&gt;Insult on Myspace&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;!-- Begin MailChimp Signup Form --&gt;&lt;br /&gt;&lt;!--[if IE]&gt;&lt;br /&gt;&lt;style type="text/css" media="screen"&gt; 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               } else {                    $('#mce-'+resp.result+'-response').show();                    $('#mce-'+resp.result+'-response').html(msg);                }            }        } catch(e){            $('#mce-'+resp.result+'-response').show();            $('#mce-'+resp.result+'-response').html(msg);        }    }}&lt;/script&gt;&lt;br /&gt;&lt;!--End mc_embed_signup--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8528706528656604057?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8528706528656604057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8528706528656604057'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2011/03/insultrampant-decay-split-7-vinyl-ep.html' title='Insult/Rampant Decay Split 7&quot; Vinyl EP Out Now! RAMPANT DECAY on Tour!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-6137702005699233618</id><published>2011-03-27T18:47:00.000-07:00</published><updated>2011-04-05T11:33:11.168-07:00</updated><title type='text'>On The Road With ANAL CUNT.  2011 USA Tour</title><content type='html'>Tour Kickoff - Boston, MA&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/yyxNtmdXYqs" title="YouTube video player" width="640"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;e&amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Part 1:&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/WmU-XDTFEZ4" title="YouTube video player" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Part 2:&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/htmrBJLxo9s" title="YouTube video player" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img border="0" height="0" src="http://c.gigcount.com/wildfire/IMP/CXNID=2000002.0NXC/bT*xJmx*PTEzMDEyNzcyMTkxMDUmcHQ9MTMwMTI3NzIzMTAxMCZwPTI3MDgxJmQ9YXJ*aXN*X3Nob3dzX2ZpcnN*X2dlbiZnPTEm/bz*4NDQxNzkzZmQ2NTI*YThhOGQxYjRkZjg4OGJkMGUyYSZvZj*w.gif" style="height: 0px; visibility: hidden; width: 0px;" width="0" /&gt;&lt;embed height="247" src="http://cache.reverbnation.com/widgets/swf/10/schedule.swf?bandId=artist_1192026&amp;amp;backgroundcolor=EEEEEE&amp;amp;font_color=000000&amp;amp;view=smart&amp;amp;posted_by=label_27244" type="application/x-shockwave-flash" width="434"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;a href="http://www.reverbnation.com/distro" onclick="javascript:window.location.href=&amp;quot;http://www.reverbnation.com/c./a4/10/1192026/Artist/27244/Label/link&amp;quot;; return false;"&gt;&lt;img alt="sell music online" border="0" height="19" src="http://c2sostatic.reverbnation.com/widgets/content/10/footer.png?1" width="434" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;img border="0" height="0" src="http://www.reverbnation.com/widgets/trk/10/artist_1192026/label_27244/t.gif" style="height: 0px; visibility: hidden; width: 0px;" width="0" /&gt;&lt;a href="http://www.quantcast.com/p-05---xoNhTXVc" target="_blank"&gt;&lt;img alt="Quantcast" border="0" height="1" src="http://pixel.quantserve.com/pixel/p-05---xoNhTXVc.gif" style="display: none;" width="1" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" data="http://bandcamp.com/EmbeddedPlayer/album=795719030/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" height="410" type="text/html" width="300"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=795719030/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=795719030/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage1.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" class="validate" id="mc-embedded-subscribe-form" method="post" name="mc-embedded-subscribe-form" style="font-family: Arial,sans-serif; font-size-adjust: none; font-size: 10px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;" target="_blank"&gt;&lt;fieldset style="-moz-border-radius-bottomleft: 4px; -moz-border-radius-bottomright: 4px; -moz-border-radius-topleft: 4px; -moz-border-radius-topright: 4px; background-color: lightgrey; border: 1px solid rgb(204, 204, 204); color: black; margin: 0.5em 0pt; padding-top: 1.5em; text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;legend style="-moz-background-clip: border; -moz-background-inline-policy: continuous; -moz-background-origin: padding; -moz-border-radius-bottomleft: 4px; -moz-border-radius-bottomright: 4px; -moz-border-radius-topleft: 4px; -moz-border-radius-topright: 4px; background: rgb(255, 255, 255) none repeat scroll 0% 0%; border: 1px solid rgb(204, 204, 204); color: black; font-size: 1.2em; font-weight: bold; padding: 0.5em 1em; text-transform: capitalize; white-space: normal;"&gt;Join the PATAC Records Mailing List&lt;/legend&gt;&lt;br /&gt;&lt;div class="indicate-required" style="color: black; font-style: italic; margin: 0pt 9% 0pt 0pt; overflow: hidden; text-align: right;"&gt;* indicates required&lt;/div&gt;&lt;div class="mc-field-group" style="clear: both; margin: 1.3em 5%; overflow: hidden;"&gt;&lt;label for="mce-EMAIL" style="display: block; font-weight: bold; line-height: 1em; margin: 0.3em 0pt;"&gt;Email Address &lt;b class="note-required"&gt;*&lt;/b&gt;&lt;br /&gt;&lt;/label&gt;&lt;br /&gt;&lt;input class="required email" id="mce-EMAIL" name="EMAIL" style="float: left; margin-right: 1.5em; padding: 0.2em 0.3em; width: 90%; z-index: 999;" type="text" value="" /&gt;&lt;/div&gt;&lt;div class="mc-field-group" style="clear: both; margin: 1.3em 5%; overflow: hidden;"&gt;&lt;label class="input-group-label" style="display: block; font-weight: bold; line-height: 1em; margin: 0.3em 0pt;"&gt;Email Format &lt;/label&gt;&lt;br /&gt;&lt;div class="input-group" style="font-size: 0.9em; margin: 0pt 0pt 1em; padding: 0.7em 0.7em 0.7em 0pt;"&gt;&lt;ul style="margin: 0pt; padding: 0pt;"&gt;&lt;li style="clear: left; display: block; list-style-image: none; list-style-position: outside; list-style-type: none; margin: 0pt; overflow: hidden; padding: 0.2em 0pt;"&gt;&lt;input id="mce-EMAILTYPE-0" name="EMAILTYPE" style="float: left; margin-right: 2%; padding: 0.2em 0.3em; width: auto; z-index: 999;" type="radio" value="html" /&gt;&lt;label for="mce-EMAILTYPE-0" style="display: block; float: left; font-weight: bold; line-height: 1em; margin: 0.4em 0pt 0pt; text-align: left ! important; width: auto;"&gt;html&lt;/label&gt;&lt;/li&gt;&lt;li style="clear: left; display: block; list-style-image: none; list-style-position: outside; list-style-type: none; margin: 0pt; overflow: hidden; padding: 0.2em 0pt;"&gt;&lt;input id="mce-EMAILTYPE-1" name="EMAILTYPE" style="float: left; margin-right: 2%; padding: 0.2em 0.3em; width: auto; z-index: 999;" type="radio" value="text" /&gt;&lt;label for="mce-EMAILTYPE-1" style="display: block; float: left; font-weight: bold; line-height: 1em; margin: 0.4em 0pt 0pt; text-align: left ! important; width: auto;"&gt;text&lt;/label&gt;&lt;/li&gt;&lt;li style="clear: left; display: block; list-style-image: none; list-style-position: outside; list-style-type: none; margin: 0pt; overflow: hidden; padding: 0.2em 0pt;"&gt;&lt;input id="mce-EMAILTYPE-2" name="EMAILTYPE" style="float: left; margin-right: 2%; padding: 0.2em 0.3em; width: auto; z-index: 999;" type="radio" value="mobile" /&gt;&lt;label for="mce-EMAILTYPE-2" style="display: block; float: left; font-weight: bold; line-height: 1em; margin: 0.4em 0pt 0pt; text-align: left ! important; width: auto;"&gt;mobile&lt;/label&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="mce-responses" style="clear: both; float: left; margin: 0pt 5%; overflow: hidden; padding: 0em 0.5em; top: -1.4em; width: 90%;"&gt;&lt;div class="response" id="mce-error-response" style="color: #d12f19; display: none; float: left; font-weight: bold; margin: 1em 0pt; padding: 1em 0.5em 0.5em 0pt; top: -1.5em; width: 80%; z-index: 1;"&gt;&lt;/div&gt;&lt;div class="response" id="mce-success-response" style="-moz-background-clip: border; 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       var msg;        try {            var parts = resp.msg.split(' - ',2);            if (parts[1]==undefined){                msg = resp.msg;            } else {                i = parseInt(parts[0]);                if (i.toString() == parts[0]){                    index = parts[0];                    msg = parts[1];                } else {                    index = -1;                    msg = resp.msg;                }            }        } catch(e){            index = -1;            msg = resp.msg;        }        try{            if (index== -1){                $('#mce-'+resp.result+'-response').show();                $('#mce-'+resp.result+'-response').html(msg);                        } else {                err_id = 'mce_tmp_error_msg';                html = '&lt;div id="'+err_id+'" style="'+err_style+'"&gt; '+msg+'&lt;/div&gt;';                                var input_id = '#mc_embed_signup';                var f = $(input_id);                if (ftypes[index]=='address'){                    input_id = '#mce-'+fnames[index]+'-addr1';                    f = $(input_id).parent().parent().get(0);                } else if (ftypes[index]=='date'){                    input_id = '#mce-'+fnames[index]+'-month';                    f = $(input_id).parent().parent().get(0);                } else {                    input_id = '#mce-'+fnames[index];                    f = $().parent(input_id).get(0);                }                if (f){                    $(f).append(html);                    $(input_id).focus();                } else {                    $('#mce-'+resp.result+'-response').show();                    $('#mce-'+resp.result+'-response').html(msg);                }            }        } catch(e){            $('#mce-'+resp.result+'-response').show();            $('#mce-'+resp.result+'-response').html(msg);        }    }}&lt;/script&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-6137702005699233618?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6137702005699233618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6137702005699233618'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2011/03/on-road-with-anal-cunt-2011-usa-tour.html' title='On The Road With ANAL CUNT.  2011 USA Tour'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/yyxNtmdXYqs/default.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-5580507201822541770</id><published>2011-03-27T18:04:00.000-07:00</published><updated>2011-03-28T00:09:16.257-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metal'/><category scheme='http://www.blogger.com/atom/ns#' term='Deceased'/><category scheme='http://www.blogger.com/atom/ns#' term='Thrash'/><category scheme='http://www.blogger.com/atom/ns#' term='Death'/><category scheme='http://www.blogger.com/atom/ns#' term='PATAC Records'/><title type='text'>DECEASED - New Album 'Surreal Overdose' Details Revealed</title><content type='html'>Virginian death/thrash metal veterans metal DECEASED will head back into the studio this year to record "Surreal Overdose", their first full-length of all-new material since 2005's "As The Weird Travel On". The long-running metal maestros have kept the faith since 1985, summoning a slew of cult releases and building up an immensely dedicated fanbase that has followed the band merrily into hell and back. Now, at the dawn of 2011, King Fowley and his band of 'bangers have returned!&lt;br /&gt;&lt;br /&gt;Fowley will return to the drum kit for this recording, handling both drums and vocals. The band will welcome in longtime live member Shane Fuegel on guitar (replacing longtime axeman Mark Adams who retired from music in 2007), while Mike Smith continues on studio guitar alongside longtime bassist Les Snyder.&lt;br /&gt;&lt;br /&gt;"Surreal Overdose" will be recorded at Assembly Line Studios in Virginia with Kevin Gutierrez engineering and Fowley producing. The CD will be issued in the U.S. via the band's own label, Shrieks From The Hearse Records, alongside PATAC Records. Hell's Headbangers will handle the vinyl edition, while overseas distribution will be announced shortly.&lt;br /&gt;&lt;br /&gt;"Surreal Overdose" track listing (tentative running times):&lt;br /&gt;&lt;br /&gt;01. Skin Crawling Progress (7:00)&lt;br /&gt;02. Kindred Assembly (4:30)&lt;br /&gt;03. The Traumatic (5:30)&lt;br /&gt;04. Cloned (Day of the Robot) (5:40)&lt;br /&gt;05. Vulture Shock (4:55)&lt;br /&gt;06. In the Laboratory Of Joyous Gloom (6:55)&lt;br /&gt;07. A Doom-Laden Aura (1:20)&lt;br /&gt;08. Dying In Analog (7:50)&lt;br /&gt;&lt;br /&gt;The "Surreal Overdose" artwork was created by Raul Gonzalez and can be viewed below.&lt;br /&gt;&lt;br /&gt;DECEASED's latest album, "As the Weird Travel On", was released in April 2005 on Thrash Corner Records.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.roadrunnerrecords.com/blabbermouth.net/reviewpics/deceasednewcd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.roadrunnerrecords.com/blabbermouth.net/reviewpics/deceasednewcd.jpg" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.patacrecords.com/"&gt;PATAC RECORDS&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.upthetombstones.net/"&gt;DECEASED&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;!-- Begin MailChimp Signup Form --&gt;&lt;br /&gt;&lt;!--[if IE]&gt;&lt;br /&gt;&lt;style type="text/css" media="screen"&gt; 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       }        try{            if (index== -1){                $('#mce-'+resp.result+'-response').show();                $('#mce-'+resp.result+'-response').html(msg);                        } else {                err_id = 'mce_tmp_error_msg';                html = '&lt;div id="'+err_id+'" style="'+err_style+'"&gt; '+msg+'&lt;/div&gt;';                                var input_id = '#mc_embed_signup';                var f = $(input_id);                if (ftypes[index]=='address'){                    input_id = '#mce-'+fnames[index]+'-addr1';                    f = $(input_id).parent().parent().get(0);                } else if (ftypes[index]=='date'){                    input_id = '#mce-'+fnames[index]+'-month';                    f = $(input_id).parent().parent().get(0);                } else {                    input_id = '#mce-'+fnames[index];                    f = $().parent(input_id).get(0);                }                if (f){                    $(f).append(html);                    $(input_id).focus();                } else {                    $('#mce-'+resp.result+'-response').show();                    $('#mce-'+resp.result+'-response').html(msg);                }            }        } catch(e){            $('#mce-'+resp.result+'-response').show();            $('#mce-'+resp.result+'-response').html(msg);        }    }}&lt;/script&gt;&lt;br /&gt;&lt;!--End mc_embed_signup--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-5580507201822541770?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5580507201822541770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5580507201822541770'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2011/03/deceased-new-album-surreal-overdose.html' title='DECEASED - New Album &apos;Surreal Overdose&apos; Details Revealed'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-7889056681751809232</id><published>2011-02-14T12:52:00.000-08:00</published><updated>2011-03-29T06:36:40.677-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anal Cunt'/><category scheme='http://www.blogger.com/atom/ns#' term='Tour'/><category scheme='http://www.blogger.com/atom/ns#' term='Seth Putnam'/><title type='text'>ANAL CUNT 2011 U.S.A. and European Tour Dates</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-large;"&gt;ANAL CUNT TOUR 2011&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-large;"&gt;USA &lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/artist/anal-cunt"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-g0YO1aefAFs/TY-u7ON_e4I/AAAAAAAAAD0/nqyzhSShjSA/s1600/analcuntustour.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/artist/anal-cunt"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/qcT5B4CUvV4" title="YouTube video player" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;March&lt;br /&gt;24 Boston, MA @ Church&lt;br /&gt;31 Brooklyn, NY @ Charleston&lt;br /&gt;&lt;br /&gt;April&lt;br /&gt;1 Frederick, MD @ Krugs&lt;br /&gt;2 Baltimore, MD @ Sonar&lt;br /&gt;3 Charlotte, NC @ Tremont&lt;br /&gt;4 Atlanta, GA @ Drunken Unicorn&lt;br /&gt;5 Athens, GA @ Caledonia Lounge&lt;br /&gt;6 Columbia, SC @ New Brookland&lt;br /&gt;7 Johnson City, TN @ Hideaway&lt;br /&gt;8 Savannah, GA @ Wormhole&lt;br /&gt;9 New Orleans, LA @ Sibera&lt;br /&gt;10 San Antonio, TX @ Korova&lt;br /&gt;11 Austin, TX @ Emos&lt;br /&gt;12 OKC, OK @ Conservatory&lt;br /&gt;13 DAY OFF&lt;br /&gt;14 Phoenix, AZ @ ICYC&lt;br /&gt;15 Escondido, CA @Metaphor&lt;br /&gt;16 Los Angeles, CA @ The Blvd&lt;br /&gt;17 Oakland, CA @ Metro&lt;br /&gt;18 Portland, OR @ &lt;span style="color: black; 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text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/artist/panzerbastard"&gt;&lt;img border="0" h5="true" src="http://a2.sphotos.ak.fbcdn.net/hphotos-ak-ash1/180877_10150100764347436_310820522435_6265376_2744524_n.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Legendary crust punks &lt;b&gt;HELLBASTARD&lt;/b&gt; have announced a string of UK/Irish tourdates for this coming April. They’ll be joined by Boston metalpunks &lt;b&gt;PANZERBASTARD&lt;/b&gt; as well as &lt;b&gt;SUICIDE WATCH&lt;/b&gt;, and promise nothing but pure filthy ripper crust destruction!&lt;br /&gt;&lt;span id="more-9559"&gt;&lt;/span&gt;&lt;br /&gt;The tour kicks off in Dublin, Ireland on April 9th, and will make its way north to Belfast then across the sea to England and Scotland to terrorize their inhabitants ’til the 24th. This is &lt;b&gt;HELLBASTARD&lt;/b&gt;’s first UK/Irish tour since the early 1990’s, and comes after their last album, 2009’s The Need to Kill… received rave reviews in the worldwide press and the band completed a full headlining European tour in 2009 and two extensive tours of the USA in both 2009 and 2010.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;HELLBASTARD&lt;/b&gt; are currently working on new material for their next full-length, which is due out later this year.&lt;br /&gt;Vocalist/guitarist Scruff commented, &lt;i&gt;“Expect a tirade of ranting, anger, nasty little nuggets of rage and some class musicianship from current members!”&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;BASTARDS OVER EUROPE TOUR 2011&lt;/b&gt;&lt;br /&gt;4/9 - Fibber Macgee’s Rock Club - Dublin, Ireland&lt;br /&gt;4/10 - Auntie Annie’s Porterhouse - Belfast, UK&lt;br /&gt;4/12 The Snooty Fox - Wakefield, UK&lt;br /&gt;4/13 - Scruffy Murphy’s - Birmingham, UK&lt;br /&gt;4/14 - 1 in 12 Club - Bradford, UK&lt;br /&gt;4/15 - The Old Bell - Derby, UK&lt;br /&gt;4/16 - Electrowerkz - London, UK (Terrorizer! Magazine sponsored show)&lt;br /&gt;4/17 - Cowley Club - Brighton, UK&lt;br /&gt;4/18 - Area 81 Rock Club - Bristol, UK&lt;br /&gt;4/19 - Two 2 Pigs - Cheltenham, UK&lt;br /&gt;4/20 - Metal Lust @ the B2 Venue - Norwich, UK&lt;br /&gt;4/21 - Hark 2 Towler - Bury, UK (no Suicide Watch)&lt;br /&gt;4/22 - Trillians - Newcastle Upon Tyne, UK (no Suicide Watch)&lt;br /&gt;4/23 - Bannerman’s - Edinburgh, Scotland (no Suicide Watch)&lt;br /&gt;4/24 - The Fishtank - Durham City, UK (no Suicide Watch)&lt;br /&gt;&lt;br /&gt;&lt;div class="wp-caption alignleft" id="attachment_9561" style="width: 310px;"&gt;&lt;img alt="Hellbastard" class="size-medium wp-image-9561" height="200" src="http://www.massmovement.co.uk/wordpress/wp-content/uploads/2011/03/hellbastard-300x200.jpg" title="hellbastard" width="300" /&gt;&lt;br /&gt;&lt;div class="wp-caption-text"&gt;Hellbastard&lt;/div&gt;&lt;/div&gt;&lt;b&gt;HELLBASTARD&lt;/b&gt; are:&lt;br /&gt;Scruff (Vocals/Guitar)&lt;br /&gt;Mike Brush (Drums)&lt;br /&gt;Tom McCombe (Guitar)&lt;br /&gt;Paul O’Shea (Bass)&lt;br /&gt;LINKS:&lt;br /&gt;&lt;a href="http://www.hellbastard.co.uk/"&gt;Hellbastard - Official Website&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.facebook.com/pages/Official-Hellbastard-UK/141308272590940"&gt;Hellbastard - Facebook&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/rippercrust"&gt;Hellbastard - Myspace&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverbnation.com/hellbastard"&gt;Hellbastard - Reverbnation &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_905672028"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.google.com/url?sa=t&amp;amp;source=web&amp;amp;cd=5&amp;amp;ved=0CDsQFjAE&amp;amp;url=http%3A%2F%2Fwww.facebook.com%2Fpanzerbastardboston&amp;amp;ei=OgaQTeqlGe-K0QGquImvCw&amp;amp;usg=AFQjCNHFy0vI7RP7QMjwNvHbUzP7Vt6Lvg&amp;amp;sig2=R40owETADutARFFpzl0wjA"&gt;Panzerbastard - Facebook&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.google.com/url?sa=t&amp;amp;source=web&amp;amp;cd=1&amp;amp;ved=0CB4QFjAA&amp;amp;url=http%3A%2F%2Fwww.myspace.com%2Fpanzerbastard&amp;amp;ei=OgaQTeqlGe-K0QGquImvCw&amp;amp;usg=AFQjCNHfMvBq56_8hZjUJUosuniRch6Nzw&amp;amp;sig2=bWJ1M6pFseGO-plEp49h_g"&gt;Panzerbastard - Myspace&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverbnation.com/panzerbastard"&gt;Panzerbastard - Reverbnation&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;img border="0" height="0" src="http://c.gigcount.com/wildfire/IMP/CXNID=2000002.0NXC/bT*xJmx*PTEzMDEyODM4MzI5MDUmcHQ9MTMwMTI4Mzg3MDk2MiZwPTI3MDgxJmQ9cHJvX3NjaGVkdWxlX2ZpcnN*X2dlbiZnPTEm/bz*4NDQxNzkzZmQ2NTI*YThhOGQxYjRkZjg4OGJkMGUyYSZvZj*w.gif" style="height: 0px; 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display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_gHJOSPabZOQ/TLwxuDZiGkI/AAAAAAAAADE/cWMQ7HGQT7c/s200/patacmetalteeweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5529349109760268866" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///Users/danielharrington/Library/Caches/TemporaryItems/moz-screenshot.png" alt="" /&gt;&lt;br /&gt;&lt;br /&gt;There’s a new, vicious voice emerging from the East Coast when it comes to tough-as-nails, unapologetically DIY-driven indie labels.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/patacrecords" onclick="javascript:pageTracker._trackPageview('/outgoing/www.myspace.com/patacrecords');"&gt;Patac Records&lt;/a&gt; and its owner Dan Harrington are determined to be heard, releasing some of the rawest, most stripped down punk and hardcore, while also maintaining a healthy fetish for filthy, old school metal, as well.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.patacrecords.com');"&gt;Patac&lt;/a&gt; is finally beginning to get noticed,” explains Harrington, “and be taken seriously.  It’s been a rocky road for sure, but I’ve built a strong home base in Boston with acts like &lt;a href="http://en.wikipedia.org/wiki/Anal_Cunt" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/Anal_Cunt');"&gt;Anal Cunt&lt;/a&gt;, &lt;a href="http://www.examiner.com/rock-music-in-boston/boston-s-panzerbastard-emerge-as-one-of-the-city-s-best-and-most-furious-local-acts" onclick="javascript:pageTracker._trackPageview('/outgoing/www.examiner.com/rock-music-in-boston/boston-s-panzerbastard-emerge-as-one-of-the-city-s-best-and-most-furious-local-acts');"&gt;Panzerbastard&lt;/a&gt;, For The Worse, etc. I’ve also been creating a strong following in California, as well, through acts like Executioner, which was an influential punk band back in 82, who hadn’t had a record out until now.”&lt;br /&gt;&lt;br /&gt;“The only rule I have,” continues Dan proudly, “is that I will NEVER put out a record that I wouldn’t want to buy.  I come from a primarily punk background, but I listen to a shitload of Venom and Motorhead, as well.  I have plans to release garage, outlaw country, even a tribute to Screaming Jay Hawkins. I listen to everything, be it punk, metal, rock’n'roll, soul, blues, jazz… you name it.  I love &lt;a href="http://en.wikipedia.org/wiki/The_Stooges" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/The_Stooges');"&gt;The Stooges&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/The_Dead_Boys" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/The_Dead_Boys');"&gt;Dead Boys&lt;/a&gt;, &lt;a href="http://www.boltthrower.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.boltthrower.com');"&gt;Bolt Thrower&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Throbbing_Gristle" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/Throbbing_Gristle');"&gt;Throbbing Gristle&lt;/a&gt; and&lt;a href="http://en.wikipedia.org/wiki/Lead_Belly" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/Lead_Belly');"&gt; Leadbelly&lt;/a&gt;.   Motorhead’s self-titled album may be the greatest album ever recorded.  I am totally open to all types of music, but as far as the scene goes? Fuck it, I will never cater to them, but if someone likes my music, all the better!”&lt;br /&gt;&lt;object width="500" height="306"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eWb-JgMfmE0?fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/object&gt;&lt;br /&gt;Fuck-it-all sentiments aside, Harrington has put a lot of work into getting Patac off the ground, as he reveals.&lt;br /&gt;&lt;br /&gt;“Patac was a concept I’ve had for a long time.  I was working at a record store, which automatically gives you the ‘under-appreciated music critic’ status in your own head.   The name Patac started as a stupid joke—often I think of stupid song titles for shits and giggles—and one was ‘Punks and Thrashers Against Christ.’ I laughed and thought ‘that would be a kickass name for a label…’  Back in 2008, I was ready to start the label. I heard my friend Jared’s band Revilers demo, which would become the &lt;i&gt;Isolation&lt;/i&gt; EP.  It kicked me in the ass, and I was listening to a lot of&lt;a href="http://en.wikipedia.org/wiki/U.K._Subs" onclick="javascript:pageTracker._trackPageview('/outgoing/en.wikipedia.org/wiki/U.K._Subs');"&gt; UK Subs&lt;/a&gt; at the time, I pressed it on vinyl, and never looked back.  Here I am, twelve releases under my belt, and still broke,&lt;br /&gt;but that won’t stop me.”&lt;br /&gt;&lt;br /&gt;On the subject of the initial obstacles and roadblocks, Harrington continues, “Everything was a struggle.  Getting distribution, trading with other labels, advertising, reviews, it’s all extremely time consuming and costly.  I went in with little to no knowledge, luckily I had help from Paul Sunderland of&lt;a href="http://www.givepraiserecords.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.givepraiserecords.com');"&gt; Give Praise Records&lt;/a&gt;; he works at a local print shop, and his feedback and guidance was instrumental in my success.  Going into 2011, I’m distributed through&lt;a href="http://www.cockroachmedia.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.cockroachmedia.com');"&gt; Cockroach Media&lt;/a&gt;, which has gotten me a ton of exposure and product placement, as well as &lt;a href="http://www.ebullition.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.ebullition.com');"&gt;Ebullition&lt;/a&gt;, &lt;a href="http://www.revelationrecords.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.revelationrecords.com');"&gt;Revelation&lt;/a&gt;, and more. Patac isn’t a record label: it’s a big fucking middle finger pointing directly to the scene.  To quote &lt;a href="http://maximumrocknroll.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/maximumrocknroll.com');"&gt;Maximum Rock ‘n Roll:&lt;/a&gt; ‘another reason to hate Boston.’ We will never cater to any one sound. I am sick of the trends, and the lack of creativity; we’re Patac, and we’re not going away.”&lt;br /&gt;&lt;br /&gt;Further along on this sentiment, Harrington is also very firm in his resolve to remain staunchly indie and underground, though his sights seem very keen on the label’s growth and progression as a power.&lt;br /&gt;“Right now, Patac is a one man show, but yes, sky is the limit.  Recently, I’ve created a PR company called Distort, which provides affordable digital PR for upcoming acts and labels. I will be looking for contributing writers, and possibly internships and street teams in the future.  I’m looking into distributing other labels through Cockroach, as well as expanding my web distro.”&lt;br /&gt;The buck stops for Dan when it comes to being a launching pad for bands whose aims might aim for multi-million, platinum success, however.&lt;br /&gt;&lt;br /&gt;“I don’t want to be a launching pad, fuck no.  I’ve seen this happen to a lot of labels.  I want to start consistently selling through releases with a primary focus on vinyl.  Contracts are something I am now looking into, I have no qualms with an artist moving on, but I also want to cover my own ass.  I know from my friend Mike that &lt;a href="http://www.equalvision.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.equalvision.com');"&gt;Equal Vision&lt;/a&gt;’s  success got a huge boost by having a contract with &lt;a href="http://www.coheedandcambria.com/" onclick="javascript:pageTracker._trackPageview('/outgoing/www.coheedandcambria.com');"&gt;Coheed and Cambria&lt;/a&gt;—who I hate—regardless, the label received a shitload of money from a major to buy them out of their contract.  Buyouts are totally acceptable, since there is no way to calculate all the time and money you put into a label. Two years later, I have still not seen a return.”&lt;br /&gt;Closing up shop on our chat, however, Dan’s mood turns positive for a moment, and reveals a bright, optimistic five year plan.&lt;br /&gt;&lt;br /&gt;“I want to keep expanding, and hopefully introduce some people to new music.  I want to bring some much needed integrity to the punk rock [and metal] scene[s].”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Written by MetalGeorge on October 13th, 2010&lt;br /&gt;&lt;br /&gt;&lt;!-- Begin MailChimp Signup Form --&gt;&lt;br /&gt;&lt;!--[if IE]&gt;&lt;br /&gt;&lt;style type="text/css" media="screen"&gt; #mc_embed_signup fieldset {position: relative;} #mc_embed_signup legend {position: absolute; top: -1em; left: .2em;}&lt;/style&gt;&lt;br /&gt;&lt;![endif]--&gt; &lt;br /&gt;&lt;!--[if IE 7]&gt;&lt;br /&gt;&lt;style type="text/css" media="screen"&gt; .mc-field-group {overflow:visible;}&lt;/style&gt;&lt;br /&gt;&lt;![endif]--&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="mc_embed_signup"&gt;&lt;form action="http://patacrecords.us2.list-manage.com/subscribe/post?u=cef576dc77929d759402075d6&amp;amp;id=62bf3177d5" method="post" id="mc-embedded-subscribe-form" name="mc-embedded-subscribe-form" class="validate" target="_blank" style="font: normal 100% Arial, 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href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6474169465657561846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6474169465657561846'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/10/theres-new-vicious-voice-emerging-from.html' title='PATAC RECORDS LABEL PROFILE'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_gHJOSPabZOQ/TLwxuDZiGkI/AAAAAAAAADE/cWMQ7HGQT7c/s72-c/patacmetalteeweb.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-1737359200160260367</id><published>2010-10-01T00:26:00.000-07:00</published><updated>2010-10-01T00:28:28.915-07:00</updated><title type='text'>New AC album available for preorder!</title><content type='html'>&lt;a href="http://ymlp.com/z37RjU"&gt;New Anal Cunt album available for preorder!&lt;/a&gt;&lt;br /&gt;Seth Putnam unleashes Anal Cunt's "FUCKIN' A," the bands first cock-rock record!&lt;br /&gt;First 100 orders will receive a signed 'xxx' photo of Seth Putnam and a groupie.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-1737359200160260367?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1737359200160260367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1737359200160260367'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/10/new-ac-album-available-for-preorder.html' title='New AC album available for preorder!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-386315712899769998</id><published>2010-09-28T06:52:00.001-07:00</published><updated>2010-09-28T06:52:49.208-07:00</updated><title type='text'>NOW ACCEPTING PREORDERS for SIGNED COPIES OF NEW ANAL CUNT ALBUM FUCKIN A!!!!</title><content type='html'>&lt;h6 class="uiStreamMessage" ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}"&gt;Now Accepting Preorders for SIGNED copies of New Anal Cunt Album! &lt;a href="http://lnk.ms/Dw1XF" onmousedown="'UntrustedLink.bootstrap($(this)," rel="nofollow" target="_blank"&gt;http://lnk.ms/Dw1XF&lt;/a&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-386315712899769998?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/386315712899769998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/386315712899769998'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/09/now-accepting-preorders-for-signed.html' title='NOW ACCEPTING PREORDERS for SIGNED COPIES OF NEW ANAL CUNT ALBUM FUCKIN A!!!!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-2530187921940265539</id><published>2010-09-28T05:17:00.001-07:00</published><updated>2011-03-25T05:54:22.829-07:00</updated><title type='text'>Reviews for ANAL CUNT - Fuckin' A</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs650.snc4/61061_471764866321_682396321_6557794_1005271_n.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs650.snc4/61061_471764866321_682396321_6557794_1005271_n.jpg" style="cursor: pointer; display: block; height: 405px; margin: 0px auto 10px; text-align: center; width: 720px;" /&gt;&lt;/a&gt;&lt;br /&gt;REVIEWS for ANAL CUNT's New Album "Fuckin' A"&lt;br /&gt;&lt;br /&gt;&lt;a href="http://realpunkradio.com/blog/reviews/cd-review-anal-cunt-fuckin-a"&gt;Real Punk Radio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.metalmaschine.de/2010/09/anal-cunt-fuckina-review/"&gt;Metalmaschine.de&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.apochs.net/CDs/AnalCunt-FuckinA.html"&gt;Apoch's Metal Review&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queensofsteel.bitacoras.com/archivos/2010/09/15/anal-cunt-fuckin-a"&gt;Queens Of Steel&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stereokiller.com/analcunt"&gt;Stereo Killer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;a href="http://patac.bigcartel.com/artist/anal-cunt"&gt;Buy Official Anal Cunt T-shirts and Merchandise&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-2530187921940265539?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/2530187921940265539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/2530187921940265539'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/09/reviews-for-anal-cunt-fuckin.html' title='Reviews for ANAL CUNT - Fuckin&apos; A'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8635385856341704246</id><published>2010-07-20T15:40:00.000-07:00</published><updated>2011-03-27T14:52:13.270-07:00</updated><title type='text'>New PanzerBastard song available, CENTURION EP coming soon!</title><content type='html'>&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/roJ10gWtDZ0&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/roJ10gWtDZ0&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;New Track from the PANZERBASTARD's upcoming EP 'CENTURION'&lt;br /&gt;&lt;br /&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="300" height="410"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="300" height="410"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://patac.bigcartel.com/artist/panzerbastard"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;BUY OFFICIAL PANZERBASTARD MERCHANDISE&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8635385856341704246?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8635385856341704246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8635385856341704246'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/07/new-panzerbastard-song-available.html' title='New PanzerBastard song available, CENTURION EP coming soon!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-1391893876916865950</id><published>2010-07-19T10:49:00.000-07:00</published><updated>2011-03-27T14:53:02.360-07:00</updated><title type='text'>PANZERBASTARD Interview in Deaf Sparrow Zine</title><content type='html'>&lt;a href="http://www.deafsparrow.com/panzer-bastard-interview.htm" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.deafsparrow.com/images/deafsparrorreviewstop.jpg" style="cursor: pointer; display: block; height: 102px; margin: 0px auto 10px; text-align: center; width: 800px;" /&gt;&lt;/a&gt;&lt;br /&gt;Killer interview in Deaf Sparrow, thanks so much guys!&lt;br /&gt;&lt;a href="http://www.deafsparrow.com/panzer-bastard-interview.htm"&gt;&lt;br /&gt;http://www.deafsparrow.com/panzer-bastard-interview.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="300" height="410"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=2654628181/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="300" height="410"&gt;&lt;param name="movie" value="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="allowNetworking" value="always"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowScriptAccess" value="never"&gt;&lt;object data="http://bandcamp.com/EmbeddedPlayer/album=3189926777/size=grande3/bgcol=FFFFFF/linkcol=4285BB//" type="text/html" width="300" height="410"&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://patac.bigcartel.com/artist/panzerbastard"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;BUY OFFICIAL PANZERBASTARD MERCHANDISE&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-1391893876916865950?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1391893876916865950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1391893876916865950'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/07/panzerbastard-interview-in-deaf-sparrow.html' title='PANZERBASTARD Interview in Deaf Sparrow Zine'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-7454912740942315227</id><published>2010-06-30T14:56:00.000-07:00</published><updated>2010-06-30T15:10:25.540-07:00</updated><title type='text'>An Official Response To Releasing Controversial Music</title><content type='html'>PATAC Records is a rock'n'roll label with true punk values.  These days, punk rock seems to become more closed minded than ever before, and that is totally fucking dumb.  My label plans on releasing punk'n'roll, noise, black metal, grind, hell even straightedge hardcore. &lt;br /&gt;   I've already received bullshit for agreeing to release an album by my friend Seth Putnam's band 'ANAL CUNT.'  Take a fucking joke, enjoy the music, you may not understand or enjoy the humor of the lyrical content, and that is fine with me.  I'm going to continue releasing crust'n'roll, but I am no way ashamed to support ANAL CUNT. &lt;br /&gt;   I love everything from CRASS and AMEBIX to Howlin' Wolf and Billie Holiday.  If you're that quick to judge me and write me off as an asshole, that's fine, I'd rather not associate with a closed minded prick like you.  Just ask yourself, when did punk rock become a witch hunt, when did we begin to alienate each other, instead of helping to promote and create a better scene. &lt;br /&gt;Go post anonymously on a message board and talk shit.  Fuck your cliques. &lt;br /&gt;&lt;br /&gt;When did punk rock stop being fun for you?&lt;br /&gt;&lt;br /&gt;cheers and beers,&lt;br /&gt;&lt;br /&gt;-Dan PATAC&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-7454912740942315227?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7454912740942315227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7454912740942315227'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/06/official-response-to-releasing.html' title='An Official Response To Releasing Controversial Music'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-6610011961880915498</id><published>2010-06-30T05:35:00.001-07:00</published><updated>2011-03-25T05:54:42.093-07:00</updated><title type='text'>PATAC Records will be releasing the new Anal Cunt (A.C.) album 'FUCKIN A' in September 2010.</title><content type='html'>&lt;a href="http://c2.ac-images.myspacecdn.com/images02/45/l_6dd1d977282c4b21a2bde952700bbfe5.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://c2.ac-images.myspacecdn.com/images02/45/l_6dd1d977282c4b21a2bde952700bbfe5.jpg" style="cursor: pointer; display: block; height: 417px; margin: 0px auto 10px; text-align: center; width: 600px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;img alt="" border="0" height="1" src="http://x.myspace.com/images/spacer.gif" width="30" /&gt;                        &lt;br /&gt;&lt;div class="blogSubject"&gt;&lt;br /&gt;&lt;br /&gt;"I'VE JUST COMPLETED THE "FUCKIN A" RECORD, WHICH IS A KICK ASS COCK ROCK RECORD." - Seth Putnam.&lt;br /&gt;&lt;br /&gt;That's right, Boston's (possibly the world's) most offensive and controversial band will be releasing a new album due to be released in September on PATAC Records.  The first pressing will be 1000 cds in a limited digipak, followed by a vinyl pressing, a standard jewel case will then follow.  2011 will consist of consistant touring.  Don't say that you were not warned...&lt;br /&gt;&lt;br /&gt;preview two new tracks @ &lt;a href="http://www.myspace.com/axcx"&gt;their Myspace page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Here are the song titles....&lt;br /&gt;&lt;span style="font-size: 85%; font-weight: bold;"&gt;&lt;br /&gt;FUCK YEAH&lt;br /&gt;CRANKING MY BANDS DEMO ON A BOX AT THE BEACH&lt;br /&gt;LOUDEST STEREO&lt;br /&gt;KICKING YOUR ASS AND FUCKING YOUR BITCH&lt;br /&gt;I WISH MY DEALER WAS OPEN (A.C.'S FIRST EVER POWER BALLAD!!)&lt;br /&gt;WHISKEY, COKE, AND SLUTS&lt;br /&gt;I'M GONNA GIVE YOU A.I.D.S.&lt;br /&gt;HOT GIRLS ON THE ROAD&lt;br /&gt;YEAH, IT'S PINK&lt;br /&gt;ALL I GIVE A FUCK ABOUT IS SEX&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;a href="http://patac.bigcartel.com/artist/anal-cunt"&gt;Buy Official Anal Cunt T-shirts and Merchandise&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-6610011961880915498?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6610011961880915498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/6610011961880915498'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/06/patac-records-will-be-releasing-new-ac.html' title='PATAC Records will be releasing the new Anal Cunt (A.C.) album &apos;FUCKIN A&apos; in September 2010.'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-1849911920274133697</id><published>2010-06-21T12:46:00.000-07:00</published><updated>2011-03-28T00:30:53.400-07:00</updated><title type='text'>RESISTANT CULTURE - ALL ONE STRUGGLE VINYL LP!</title><content type='html'>&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=384&amp;amp;osCsid=f71000096050d74e905039c5851c79e0" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.patacrecords.com/images/RCAOS.png" style="display: block; height: 959px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;PATAC 009 RESISTANT CULTURE All One Struggle LP (Gatefold on clear vinyl, will include a 24x36" poster limited edition, featuring Anthony Rezhawk the vocalist of TERRORIZER)&lt;br /&gt;&lt;br /&gt;Co-release with:&lt;br /&gt;Shaman Records&lt;br /&gt;Seventh Generation Records Los Angeles,California USA&lt;br /&gt;Profane Existance Records Minneapolis,MN USA&lt;br /&gt;Bloody Lips Records Belgium,EUROPE&lt;br /&gt;Underground Movement Records Ireland&lt;br /&gt;Patac Records Massachusetts,USA&lt;br /&gt;Anti-Corporate Music Inc.Nashville, Tennessee USA&lt;br /&gt;Jornalero Records Salt Lake City, Utah USA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Artist:Resistant Culture&lt;br /&gt;&lt;br /&gt;Title:All one Struggle&lt;br /&gt;&lt;br /&gt;Label: PATAC/Shaman/Seventh Generation Records and others&lt;br /&gt;&lt;br /&gt;Price:$14.99&lt;br /&gt;&lt;br /&gt;Format:LP(Gatefold)&lt;br /&gt;&lt;br /&gt;Amount:1000 Copies&lt;br /&gt;&lt;br /&gt;Release date is 05/31/2010&lt;br /&gt;&lt;br /&gt;Track list:&lt;br /&gt;&lt;br /&gt;-1 Beneath the Concrete&lt;br /&gt;-2 Life Givers&lt;br /&gt;-3 All one Struggle&lt;br /&gt;-4 Animal Nations&lt;br /&gt;-5 Community&lt;br /&gt;-6 Runaway&lt;br /&gt;-7 Mending the Hoop&lt;br /&gt;-8 Natural Law&lt;br /&gt;-9 Surviving in Darkness&lt;br /&gt;-10 Ominous&lt;br /&gt;-11 Warning Civilization Ahead&lt;br /&gt;-12 Generations&lt;br /&gt;-13 Stagnation&lt;br /&gt;-14 Rise Above Despair&lt;br /&gt;-15 Contamination&lt;br /&gt;-16 New Sun&lt;br /&gt;-17 The Return&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We will be taking pre-orders for this limited mail order only.&lt;br /&gt;&lt;br /&gt;Here is a few Reviews of What your getting for your money!!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From DECIBEL MAGAZINE&lt;br /&gt;&lt;br /&gt;RESISTANT CULTURE All One Struggle CD (Shaman/Seventh Generation Records)&lt;br /&gt;&lt;br /&gt;Call me a hater, but being one who generally avoids scabies and bedbugs, I tend to avoid the crusty-punk panhandling masses. I prefer Shih Tzus and expensive microbrews over pitbulls and Sparks, thank you very much. After all, one doesn’t have to get in their van (the one that’s broke down behind your favorite taqueria where they just ate your leftover bits of burrito out of the dumpster) to enjoy the power of the D-beat!&lt;br /&gt;&lt;br /&gt;Totally kidding! Say what you will about crust culture’s hygiene practices; their DIY, anarcho-punk political stances and long history of extreme punk metal hybrids are to be admired. And longtime crew Resistant Culture are one of the smarter and more respected of the pack: grindcore-flavored punk rock with constant pit-circling streams of D-beat goodness, but mixed with unexpected moments that pack in “tribal” bits such as Native American flute, percussion and chanting.&lt;br /&gt;&lt;br /&gt;The L.A.-based band is led by Anthony Rezhawk, who may be best known for his killer vocal work on Terrorizer’s comeback album, Darker Days Ahead. The group also featured guitarist Jesse Pintado (the sadly recently deceased ex-member of Napalm Death) in a part-time capacity. Both these albums are smart and streamlined grind, featuring short and to-the-point blasts (meaning usually under three minutes, closer to two) of government-hating fury. Welcome to Reality, the faster and more ballistic of the two, is a re-release that features Pintado on axe (plus a killer Discharge cover of “Hear Nothing, Say Nothing”); All One Struggle, their newest, is equally as killing, just more varied in tempos. Potent high-grade crust explosives—pull the pin and run!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From Terrorizer Magazine&lt;br /&gt;&lt;br /&gt;RESISTANT CULTURE All One Struggle CD (Shaman/Seventh Generation Records)&lt;br /&gt;&lt;br /&gt;Now tragically without ex-Nalpalm Death/Terrorizer man Jesse Pintado, the reservation's most fearsome tribal crustgrind collective soldier on regardless under the leadership of the "Darker Days Ahead" Terrorizer vocalist Anthony Rezhawk in a war on the great callous, concrete devourer that's gobbling up liberties and livelihood, and shitting out pollutants and poverty.&lt;br /&gt;&lt;br /&gt;The songwriting's far tighter than its predecessor, which seemed to stop far more often than necessary to have lovely, haunting flute moments as if it were taking in a picnic spot on a long motorway journey. Instead the chants, hooting owls(!) and traditional Native American instruments are absorbed into some orthodox Bolt Thrower-brand grinding death. The lyrics, which take big spoonfuls of tribal spirituality and indignant anarchopunk only add to the fearsome, atmospheric and apocalyptic end result; the soundtrack to the world you've just destroyed.&lt;br /&gt;&lt;br /&gt;&lt;img style="visibility:hidden;width:0px;height:0px;" border=0 width=0 height=0 src="http://c.gigcount.com/wildfire/IMP/CXNID=2000002.0NXC/bT*xJmx*PTEzMDEyNzg3NDQxMzgmcHQ9MTMwMTI3ODc1MDkxMSZwPTI3MDgxJmQ9cHJvX3BsYXllcl9maXJzdF9nZW4mZz*xJm89/ODQ*MTc5M2ZkNjUyNGE4YThkMWI*ZGY4ODhiZDBlMmEmb2Y9MA==.gif" /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="434" height="326"&gt;&lt;param name="movie" value="http://cache.reverbnation.com/widgets/swf/40/pro_widget.swf?id=artist_171880&amp;posted_by=&amp;skin_id=PWAS1003&amp;background_color=EEEEEE&amp;border_color=000000&amp;auto_play=false&amp;shuffle=false"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;param name="allowNetworking" value="all"&gt;&lt;/param&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;/param&gt;&lt;param name="wmode" value="opaque"&gt;&lt;/param&gt;&lt;param name="quality" value="best"&gt;&lt;/param&gt;&lt;embed src="http://cache.reverbnation.com/widgets/swf/40/pro_widget.swf?id=artist_171880&amp;posted_by=&amp;skin_id=PWAS1003&amp;background_color=EEEEEE&amp;border_color=000000&amp;auto_play=false&amp;shuffle=false" type="application/x-shockwave-flash" allowscriptaccess="always" allowNetworking="all" allowfullscreen="true" wmode="opaque" quality="best" width="434" height="326"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;img style="visibility:hidden;width:0px;height:0px;" border=0 width=0 height=0 src="http://www.reverbnation.com/widgets/trk/40/artist_171880//t.gif" /&gt;&lt;br /&gt;&lt;br /&gt;Listen to first track (From New Upcoming Album) on at the link below:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/resistantculture"&gt; 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               } else {                    $('#mce-'+resp.result+'-response').show();                    $('#mce-'+resp.result+'-response').html(msg);                }            }        } catch(e){            $('#mce-'+resp.result+'-response').show();            $('#mce-'+resp.result+'-response').html(msg);        }    }}&lt;/script&gt;&lt;br /&gt;&lt;!--End mc_embed_signup--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-1849911920274133697?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1849911920274133697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/1849911920274133697'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/06/resistant-culture-all-one-struggle.html' title='RESISTANT CULTURE - ALL ONE STRUGGLE VINYL LP!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-5052255299495070583</id><published>2010-06-21T12:37:00.000-07:00</published><updated>2011-03-28T00:31:11.949-07:00</updated><title type='text'>EXECUTIONER - HELLBOUND EP out now!!! 1982 San Jose Hardcore Punk</title><content type='html'>&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 533px; height: 500px;" src="http://www.patacrecords.com/store/images/5411_1030011410303_1825898763_63467_8103353_n-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 505px; height: 515px;" src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs142.snc4/36446_442278050258_107097500258_6293293_4599767_n.jpgg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=386&amp;amp;osCsid=106d0f19175f697bb24d9cffce003df5"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="background-color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:arial black,avant garde;"&gt;&lt;span style="font-size:18pt;"&gt;&lt;span style="color: rgb(136, 136, 136);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;EXECUTIONER&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;-&lt;/span&gt;&lt;/span&gt; HELLBOUND EP $4.99&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;It's not often that one stumbles across an unknown, undiscovered gem from the golden age of California hardcore, but that's the case with this debut release from a band that went their separate ways over 25 years ago. Formed in San Jose in 1982, Executioner's music was hard, fast, tight and loud. It contained "taboo" extended guitar solos and stop-on-a-dime tempo changes. They sounded like nobody else. A mix of hardcore West Coast punk rock, speed metal (before there WAS such a thing) and the larynx-shredding assault of singer Dave Burk's vocal missives, their music commanded attention. And they got it. A bootleg cassette of their song "Fix Me/Hellbound" became the number one requested cut on the legendary underground station KFJC for the entire year 1983. It was the number two most requested song on San Francisco's mainstream station KQAK (The Quake) the following year. All with absolutely no promotion, just word of mouth.&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;But by that time they had called it quits, victims of their own teenage attention spans, the then-current ethos of slackerdom, and perhaps a few too many encounters with illicit substances. Their recordings sat unreleased for over two and a half decades, kept alive only by the 4th and 5th generation cassette dubs that kept on making the rounds in the following years as their legend grew. Until now...&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;Patac Records is proud to release Executioner's long awaited debut "Hellbound."&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;Members of Executioner went on to work with such diverse artists as Steve Jones (Sex Pistols), Guns n' Roses, 22 Jacks, Black Francis (Pixies), Throbbing Gristle, The Offs, Pete Yorn, and many others. Catch them here in their formative years, and prepare to be blown away.&lt;/div&gt;&lt;div style="margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;span style="color: rgb(255, 255, 255);font-size:85%;" &gt;&lt;span style="background-color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:arial black,avant garde;"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;Cover art by&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.winstonsmith.com/"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="background-color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:arial black,avant garde;"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:85%;" &gt;&lt;span style="background-color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:arial black,avant garde;"&gt;&lt;a href="http://www.winstonsmith.com/"&gt;&lt;span style="color: rgb(136, 136, 136);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Winston Smith&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(136, 136, 136);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; (DEAD KENNEDYS, GREEN DAY, LARD, BEN HARPER)  Later this year, PATAC will also be releasing their lost &lt;span style="background-color: rgb(255, 255, 255);"&gt;1983 album, as well as a brand new single!&lt;br /&gt;&lt;br /&gt;REVIEWS!&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;Executioner was a band for the first generation of San Jose, CA hardcore back in the very early 1980s. They were very short-lived but from everything I’ve read, they made quite an impact at the time, especially for a band who didn’t put out any records. They had recorded a full album’s worth of material but for some reason none of it was ever released aside from people who had a tape of it and passed it around the world countless times. Patac Records struck gold with finding out that the material had survived and after 28 years Executioner finally has a record out.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;The music of &lt;a title="Executioner on myspace" href="http://www.myspace.com/executionersanjose" target="_blank"&gt;Executioner &lt;/a&gt;is classic early hardcore. The songs are hard, fast, heavy and short. Hundreds of bands copied this style in the years to come but this band was at the first part of the curve. There’s a small bit of British punk influence in the sound and the very tiniest hint of metal in the guitars that only just makes the sound heavier, and isn’t remotely reminiscent of the metal that would infect hardcore three years later. The vocals are yelled and the singer has a great harsh, throat full of gravel vocal sound that was perfect for this style of hardcore. Had this record come out in this form 28 years ago I could guarantee you it would have been pretty influential and people would be paying big money for them on eBay these days along with their early Dischord and Touch and Go singles.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;When you listen to this record and put it in the context of when it was recorded, it is a prime piece of hardcore that is a must have for any fan of the genre. As an old punk rocker who grew up on this stuff, I can tell you had this come out when I was a teenager it would have been one of the many soundtracks of my skateboarding and hardcore youth.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;The record was pressed on red vinyl and contains four songs. It is housed in a full color fold-over sleeve that is also printed on the inside in two colors with the lyrics and photos. It also contains an old show flyer that has liner notes and stories about the band printed on the opposite side. It’s really a nice package which makes this punk rock artifact all the more worth owning. This is truly a must for fans of old hardcore and punk historians.&lt;/span&gt;&lt;/p&gt;&lt;h2 class="item"&gt;&lt;span style="font-size:85%;"&gt;&lt;span class="fn"&gt;Executioner – Hellbound&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;&lt;span class="summary"&gt;A recently unearthed early hardcore artifact that any fan of early punk should be thankful for.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="color: rgb(255, 255, 255);font-size:85%;" &gt;&lt;span style="background-color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:arial black,avant garde;"&gt;&lt;span style="color: rgb(136, 136, 136);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;-&lt;a href="http://www.punkvinyl.com/2010/07/22/executioner-hellbound/"&gt;PUNK VAULT&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs252.snc4/39944_463592855258_107097500258_6881174_2866558_n.jpg"&gt;&lt;img style="margin: 0px auto 10px; 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display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://1.bp.blogspot.com/_gHJOSPabZOQ/S29hUg5d1LI/AAAAAAAAACM/vPnIH0BXLuw/s400/+psycho7web.jpg" alt="" id="BLOGGER_PHOTO_ID_5435670280315720882" border="0" /&gt;&lt;/a&gt;PATAC Records is excited to announce the details uof the upcoming PSYCHO EP!  This May will mark the triumphant return and the 30th anniversary of this legendary band.  The first pressing will consist of 600 'Buzzsaw' die cut 7"s, 150 on red, 450 black.  This recording was made in November 2009 featuring Johnny X on guitar, Charlie Infection on drums, Ed Lynch on bass and Cody Molest on vocals.&lt;br /&gt;&lt;br /&gt;1. Vertigo&lt;br /&gt;2. Animal&lt;br /&gt;3. Religious&lt;br /&gt;4. Legalize Murder (words by GG Allin, music by PSYCHO.&lt;br /&gt;&lt;br /&gt;In October 2006, Psycho started jamming again. We weren’t sure if we were going to do more than a handful of shows because we thought maybe our time had come and gone. However, in May of ’06 we played our first show with this line-up in seventeen years. It went well and the rest is history. We got a new singer in 2009 to go with the core line-up from the late 80’s. These are the first real recordings of new Psycho material since ’96 except for a few comp tracks we did in 2008 for the DC Jam Skate comp.&lt;br /&gt;&lt;br /&gt;Johnny X&lt;br /&gt;&lt;br /&gt;&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/qYuFZdkY-2c&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/qYuFZdkY-2c&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.patacrecords.com/store/product_info.php?products_id=389&amp;amp;osCsid=59ab9f1cc2847673d156992d8a24eb91"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 486px; height: 484px;" src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs153.snc4/36982_443910755258_107097500258_6341910_3052126_n.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=389&amp;amp;osCsid=59ab9f1cc2847673d156992d8a24eb91"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=389&amp;amp;osCsid=59ab9f1cc2847673d156992d8a24eb91"&gt;OUT NOW!&lt;br /&gt;$5.99&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-5494596173931716230?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5494596173931716230'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5494596173931716230'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/02/return-of-bostons-godfathers-of-grind.html' title='The Return of Boston&apos;s Godfathers of Grind PSYCHO New 7&quot; EP!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_gHJOSPabZOQ/S29hUg5d1LI/AAAAAAAAACM/vPnIH0BXLuw/s72-c/+psycho7web.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8329177578576290905</id><published>2010-01-26T19:39:00.001-08:00</published><updated>2010-01-31T06:59:08.246-08:00</updated><title type='text'>PANZERBASTARD Merch Now Available! New T-Shirt</title><content type='html'>&lt;img style="visibility: hidden; width: 0px; height: 0px;" src="http://counters.gigya.com/wildfire/IMP/CXNID=2000002.0NXC/bHQ9MTI2NDU2MzUzNTQ*NCZwdD*xMjY*NTYzNTkxMzYyJnA9MjMzODgxJmQ9Jm49YmxvZ2dlciZnPTImbz1kMDhjYjU2NjYyZDU*/MTdkYjNiMGFjNjIxMGMwZWIwNiZvZj*w.gif" border="0" width="0" height="0" /&gt;&lt;object width="344" height="499"&gt;&lt;param name="movie" value="http://ws.audiolife.com/Webservices/GetWidget.aspx?r=r&amp;amp;widgetName=widgetV2.swf&amp;amp;labelName=PATAC Records&amp;amp;labelId=18207&amp;amp;swfpath=http://cache.audiolife.com/Widget/&amp;amp;wsBasePath=http://ws.audiolife.com/Webservices/&amp;amp;publicFSBasePath=http://www.audiolife.com/PublicFS/&amp;amp;artistlogo="&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="FlashVars" value="widgetName=widgetV2.swf&amp;amp;labelName=null&amp;amp;labelId=18207&amp;amp;swfpath=http://cache.audiolife.com/Widget/&amp;amp;wsBasePath=http://ws.audiolife.com/Webservices/&amp;amp;publicFSBasePath=http://www.audiolife.com/PublicFS/&amp;amp;artistlogo="&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://ws.audiolife.com/Webservices/GetWidget.aspx?r=r&amp;amp;widgetName=widgetV2.swf&amp;amp;labelName=null&amp;amp;labelId=18207&amp;amp;swfpath=http://cache.audiolife.com/Widget/&amp;amp;wsBasePath=http://ws.audiolife.com/Webservices/&amp;amp;publicFSBasePath=http://www.audiolife.com/PublicFS/" type="application/x-shockwave-flash" flashvars="widgetName=widgetV2.swf&amp;amp;labelName=PATAC Records&amp;amp;labelId=18207&amp;amp;swfpath=http://cache.audiolife.com/Widget/&amp;amp;wsBasePath=http://ws.audiolife.com/Webservices/&amp;amp;publicFSBasePath=http://www.audiolife.com/PublicFS/&amp;amp;artistlogo=" allowfullscreen="true" allowscriptaccess="always" width="344" height="499"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8329177578576290905?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8329177578576290905'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8329177578576290905'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/01/blog-post.html' title='PANZERBASTARD Merch Now Available! New T-Shirt'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-7717850727323069008</id><published>2010-01-22T06:02:00.000-08:00</published><updated>2011-03-25T05:58:00.255-07:00</updated><title type='text'>PANZERBASTARD 2006-2009 CD Reviews!</title><content type='html'>&lt;a href="http://www.deafsparrow.com/panzer-bastard-interview.htm" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.deafsparrow.com/images/deafsparrorreviewstop.jpg" style="cursor: pointer; display: block; height: 102px; margin: 0px auto 10px; text-align: center; width: 800px;" /&gt;&lt;/a&gt;&lt;a href="http://www.deafsparrow.com/panzer-bastard-interview.htm"&gt;&lt;br /&gt;Interview in Deaf Sparrow&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://c3.ac-images.myspacecdn.com/images02/135/l_2f2cf0abe36b41648611f4fdb674d002.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;from TERRORIZER! magazine - UK&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;There are a few reference points to consider when forming a thrashtastic crust band; the chief one being how much do you want to sound like Discharge, Motorhead and Extreme Noise Terror. The answer, of course, is as much as possible, and all these legendary noise exploiters are to be found splattered across the songs in this collection of EPs by Boston's brilliantly named Panzerbastard. There are also whispers of black metal and a touch of early Anthrax lurking in the d-beat mayhem. The difference between Panzerbastard and the millions of d-beat/crust thrashers is that they have a quality control button turned way up to the highest setting; so no poorly recorded, loose, chaotic punk thrash here, just well-produced, tight, aggressive, hardcore motorcrust, full of slam dancing, headbanging, fist in the air qualities that shoot to kill at twenty paces.&lt;br /&gt;8 out of 10.  -Alex Boniwell Issue #194&lt;a href="http://c3.ac-images.myspacecdn.com/images02/135/l_2f2cf0abe36b41648611f4fdb674d002.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://c3.ac-images.myspacecdn.com/images02/135/l_2f2cf0abe36b41648611f4fdb674d002.jpg" style="cursor: pointer; display: block; height: 623px; margin: 0px auto 10px; text-align: center; width: 297px;" /&gt;&lt;/a&gt;&lt;br /&gt;From TERRORIZER Issue #190&lt;br /&gt;&lt;br /&gt;&lt;a href="http://img30.imageshack.us/img30/921/panzerinterview.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://img30.imageshack.us/img30/921/panzerinterview.jpg" style="cursor: pointer; display: block; height: 1665px; margin: 0px auto 10px; text-align: center; width: 831px;" /&gt;&lt;/a&gt;&lt;a href="http://img264.imageshack.us/img264/7951/panzerfearcandy.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://img264.imageshack.us/img264/7951/panzerfearcandy.jpg" style="cursor: pointer; display: block; height: 524px; margin: 0px auto 10px; text-align: center; width: 587px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;from &lt;a href="http://www.lordsofmetal.nl/showreview.php?id=15623&amp;amp;lang=en#"&gt;LORDS OF METAL&lt;/a&gt; - Netherlands&lt;br /&gt;&lt;div align="center"&gt;&lt;b&gt;PanzerBastard - 2006-2009&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.lordsofmetal.nl/link.php?id=2753" target="_blank"&gt;Patac Records&lt;/a&gt;&lt;/div&gt;&lt;div align="center"&gt;file under &lt;a href="http://www.lordsofmetal.nl/style.php?style=11&amp;amp;lang=en"&gt;Punk / Hardcore&lt;/a&gt;&lt;/div&gt;&lt;img align="left" alt="PanzerBastard - 2006-2009" border="0" height="150" hspace="10" src="http://www.lordsofmetal.nl/image.php?type=567e&amp;amp;id=15623" vspace="2" width="150" /&gt;&lt;b&gt;&lt;a href="http://www.lordsofmetal.nl/crew.php?id=59&amp;amp;lang=en" target="_top"&gt;Koen&lt;/a&gt;&lt;/b&gt;: Please note that “PanzerBastard are NOT a political band so fuck off to Antifa and all the cunts out there spreading rumours about us because we didn't vote for Obama or because we're not a bunch of pants pissing liberals... If hating EVERYONE makes you racist/political, then we're guilty as charged!! We're politically incorrect and proud!” Now we settled this, I guess there will be no more controversy about the band name anymore.&lt;br /&gt;&lt;br /&gt;Patac Records send us ‘2006-2009’ which is a compilation CD / vinyl album that holds the 2009 ‘Hell Gate’ EP, the 2008 ‘Bastards Die Hard’ demo and the 2006 ‘Boston Demo’. The band features (ex-) members of Wrecking Crew, Ramallah, Betrayal among others and is fucking great! PanzerBastard plays furious metallic hardcore. These guys are pissed and they want everyone to know about it. This is Boston style mid-tempo hardcore with barked out vocals that hit you like a fist in the face and sound so astounding they could splinter glass.&lt;br /&gt;&lt;br /&gt;The conclusion is simple: this CD is highly recommended for everyone who is a fan of music in its heaviest form. If you can’t find it in stores, check out PanzerBastard’s &lt;a href="http://www.myspace.com/panzerbastard" target="_blank"&gt;My Space page[/ur] or Patac Records’ [url=http://www.patacrecords.com/store/]webstore&lt;/a&gt;.&lt;br /&gt;&lt;b&gt;&lt;span style="color: red;"&gt;Rating: 87/100&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 78%;"&gt; (&lt;a href="http://www.lordsofmetal.nl/showreview.php?id=15623&amp;amp;lang=en#" onclick="javascript:window.open('scores.php?score=87&amp;amp;lang=en','toelichting','height=540,width=400,location=no,scrollbars=yes,menubars=no,toolbars=no,resizable=no')"&gt;details&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;from &lt;a href="http://www.attackfanzine.net/news/274/52/PANZERBASTARD-2006-2009-CD.html"&gt;ATTACKFANZINE.NET&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PANZERBASTARD 2006-2009 CD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Patac Records&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The years 2006 through 2009 means the release of three EP's for PanzerBastard, all of which can be found on this disc, along with a cover of "Ace of spades".&lt;br /&gt;&lt;br /&gt;With a hint of crust, some d-beat hardcore, and a healthy dose of metal riffs Boston's PanzerBastard have cooked together the five tracks that is their latest &lt;em&gt;Hell Gate E.P.&lt;/em&gt;. These tracks were recorded in 2009 and compared to the other songs on here it's their "slowest" (if you can call something that includes the occasional black metal reeking blast beat for slow?), but also most rocking and Snaggletooth a.k.a. Warpig approved material. Feet wide apart, the guitars hung low, and at least one member wearing a Venom shirt.&lt;br /&gt;&lt;br /&gt;The following eight tracks, including intro and outro, are taken from their 2008 &lt;em&gt;Bastards Die Hard E.P.&lt;/em&gt; and are far more intense. I can't help but draw comparisons to other Boston band Toxic Narcotic when it comes to the speed and on-a-rampage styled drumming, but with more rock and/or roll. The tempo varies a bit on here, but mostly remains in the fast, or faster, areas where some grind have been included in the mix. I'm also reminded of &lt;em&gt;Total Fucking Hate&lt;/em&gt;-era Driller Killer in the track "Panzerbastard", and "Apocalyptic requiem" is a sort of Scandicrust vs. blast beat styled number.&lt;br /&gt;Oddly enough it's their most ferocious track "No gods" that's also their longest, clocking in at close to five minutes, instead of one of their more rocking tunes.&lt;br /&gt;&lt;br /&gt;The last five tracks consist of their debut &lt;em&gt;Boston &lt;/em&gt;7" from 2007 and the already mentioned "Ace of spades" cover. None of these tracks are too interesting as they're quite poorly recorded in comparison, and I find myself rather jumping back to the first track instead of finishing the disc.&lt;br /&gt;&lt;br /&gt;For a long time I leaned towards calling the &lt;em&gt;Hell Gate E.P.&lt;/em&gt; their best material, but I'm more and more coming around to the second one, the &lt;em&gt;Bastards Die Hard E.P.&lt;/em&gt;, as it's got more variety and combines both the rock and the fury in a good way.&lt;br /&gt;At an early stage I honestly didn't think this disc would stick as much as it did, but it managed to grab hold quite hard with tracks like already mentioned "Panzerbastard", "No gods", but also "The gift of desperation" and crust-riffing "Grave robber".&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #888888;"&gt;Krogh - January 21, 2010&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;from &lt;a href="http://www.thrashmag.com/reviews/content.aspx?id=7733"&gt;THRASH MAGAZINE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="ctl00_ContentPlaceHolder1_Reviews"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span id="ctl00_ContentPlaceHolder1_Reviews"&gt;PanzerBastard are doing punk the way it should be done. Fast, angry, unpretentious and aggressive music with a heavy dose of metal influence and a tinge of hardcore. 2006-2009 is a compilation of this Boston outfit's releases to date. The first five songs are from their &lt;em&gt;Hell Gate &lt;/em&gt;&lt;em&gt;EP&lt;/em&gt;, songs six through thirteen are from the &lt;em&gt;Bastards Die Hard EP&lt;/em&gt;, and fourteen through seventeen are from their &lt;em&gt;Boston &lt;/em&gt;7", with a bonus cover of Motorhead's Ace of Spades to close things out.&lt;br /&gt;The production on this record is raw and professional, except for the &lt;em&gt;Boston&lt;/em&gt; 7", which sounds like it was recorded on an open mic in somebody's house, but every track, regardless of the production, is tight, heavy, and aggressive as hell. The guitars sound like meaty chainsaws ripping through skulls. The vocals are angry and expressive, the riffs are catchy and brutal, the drums are ridiculously fast and heavy. PB plays every note and screams every word with a seething conviction that explodes through the speakers with an intense energy that will make you want to smash the guy next to you then pick him up and give him a hug and a beer. I was very pleased to find out that this band is still alive and well, playing up and down the north east. My next goal is to head to one of their shows, pump my fist and bang my head, then shake their hands and thank them for the stiff neck I'd recovering from over the next three days. &lt;br /&gt;&lt;h2 style="text-align: center;"&gt;Rating System&lt;/h2&gt;Thrash Magazine's overall rating system is based on the following criteria. PanzerBastard received a 8.7 because of the following:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Instrumental Rating (1-30):&lt;/strong&gt; 28&lt;br /&gt;&lt;strong&gt;Vocal Rating (1-30):&lt;/strong&gt; 27&lt;br /&gt;&lt;strong&gt;Lyrical Rating (1-25):&lt;/strong&gt; 20&lt;br /&gt;&lt;strong&gt;Presentation Rating (1-15):&lt;/strong&gt; 12&lt;br /&gt;&lt;br /&gt;-ApocalypticWarhammer&lt;br /&gt;&lt;br /&gt;from &lt;a href="http://www.metalcrypt.com/pages/review.php?revid=5457"&gt;THE METAL CRYPT&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;Label: &lt;/b&gt;&lt;a href="http://www.patacrecords.com/" target="_blank"&gt;PATAC Records&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Year released: &lt;/b&gt;2009&lt;br /&gt;&lt;b&gt;Duration:&lt;/b&gt; 49:09&lt;br /&gt;&lt;b&gt;Tracks:&lt;/b&gt; 18&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; &lt;a href="http://www.metalcrypt.com/genres.php"&gt;Thrash Metal&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Rating:&lt;/b&gt; 4/5&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Review online:&lt;/b&gt; December 18, 2009&lt;br /&gt;&lt;b&gt;Reviewed by:&lt;/b&gt; &lt;a href="http://www.metalcrypt.com/pages/reviewerprofile.php?revid=60"&gt;Mike Henn&lt;/a&gt;&lt;br /&gt;June 6th, 2006, was a fateful day for Heavy Metal. For the first time since metal's birth, the dates have aligned to form a sort of tribute to the eternal muse down below… 06-06-06. On this day, Slayer promised to release their new album, &lt;i&gt;Christ Illusion&lt;/i&gt;, but bureaucratic setbacks pushed the release back to August. Determined to make the once in a life time chance mean something, Slayer promised to kick off their highly anticipated Unholy Alliance Tour on that day, but Tom Araya's gallbladder surgery pushed that back a week as well. So the fateful day went by with very little happening in the world of metal since one of the biggest bands managed to not pull through with any of their promises. Essentially the only thing that happened was that this was the day when Boston's PanzerBastard took form, and while this isn't quite as momentous an occasion as anything Slayer could've done (as shitty as &lt;i&gt;Christ Illusion&lt;/i&gt; was), PanzerBastard delivers some extremely fast and solid Thrash.&lt;br /&gt;&lt;i&gt;2006 – 2009&lt;/i&gt; is a compilation of three earlier demos, &lt;i&gt;Hell Gate&lt;/i&gt;, &lt;i&gt;Bastards Die Hard&lt;/i&gt;, and &lt;i&gt;Boston&lt;/i&gt;.  Personally, I find the &lt;i&gt;Bastards Die Hard&lt;/i&gt; material to be the best of the lot, disregarding the asinine intro and outro that both consist of essentially one riff repeated over and over again for a few minutes. "No God(s)", "PanzerBastard", and "Bastards Die Hard" are probably the best tracks on the whole compilation, it's just coincidence they all happen to be from the same demo. While some of the musicians have a background in hardcore and punk, not very much manages to seep through. This is Crossover of the thrashiest kind, and the hardcore vocals and blast beats never take away from the almighty riff (the latter actually improves most sections it appears in). Honestly, this reminds me of St. Louis retro-thrashers, Head on Collision; the main difference there being that I can listen to PanzerBastard for more than three songs at a time without getting bored. I'd say check this out. It's nothing revolutionary, but it's solid, thrashing, headbanging fun without some lame gimmick tacked on in order to make it entertaining like so many other new Thrash bands have done.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;REVIEWS FOR THE 'BOSTON' DEMO 7" ON FIGHTING BOYS RECORDS&lt;br /&gt;&lt;br /&gt;REVIEW from Hardcore Holocaust (hcholocaust.com):&lt;br /&gt;&lt;br /&gt;" PANZER BASTARD - Boston 7" Metallic hardcore with a sound similar to Genocide SS meets mid period Slayer. Their debut ep, featuring 4 tracks. "&lt;br /&gt;&lt;br /&gt;REVIEW from Sorry State Records (sorrystaterecords.com): " Easily one of the most brutal crust records I've heard in ages. This sounds like Totalitar playing through Skitsystem's equipment... in other words, it has that crust-meets-80s-hc vibe that I LOVE, but the dense, noisy-as-fuck production of a killer death metal record. Trust me on this one, this shit is POWERFUL. Sorry about the price, but this bad boy came all the way from Hungary (even though the band is from Boston). Fighting Boys Records. "&lt;br /&gt;&lt;br /&gt;Review from &lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm5vZnJvbnR0ZWV0aC5jby51ay8yMDEwcmV2aWV3cy5odG1s"&gt;NO FRONT TEETH&lt;/a&gt; (UK)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h6&gt;&lt;span style="font-family: Arial; font-size: 85%;"&gt;PANZERBASTARD – ‘2006-2009’ CD&lt;br /&gt;This CD collects 17 songs from 3 PANZERBASTARDS EPs: ‘Hell Gate’, ‘Bastards Die Hard’, and ‘Boston’ released between 2006 and 2009 plus bonus cover of ‘Ace Of Spades’. Boston’s PANZERBASTARD play fast and aggressive hardcore punk with a dose of ‘80’s thrash metal and crust injected in, think a brutal blend of TOTALITAR, early SLAYER, MOTORHEAD, GANG GREEN, DISCHARGE, SUBHUMANS and VENOM…yeah, it’s powerful and fierce as hell and all delivered with pure punk rock vulgarity... these guys don’t give a shit and aren’t afraid to ruffle some feathers that’s for sure. An absolutely killer collection here and absolutely recommended – even if you have the 7”s already. Killer art too.&lt;br /&gt;Patac Records&lt;br /&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20v" target="_blank"&gt;www.patacrecords.com&lt;/a&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6&gt;&lt;br /&gt;&lt;/h6&gt;&lt;h6 style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small; font-weight: normal;"&gt;&lt;a href="http://patac.bigcartel.com/artist/panzerbastard"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;BUY OFFICIAL PANZERBASTARD MERCHANDISE&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-7717850727323069008?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7717850727323069008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7717850727323069008'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/01/panzerbastard-2006-2009-cd-reviews.html' title='PANZERBASTARD 2006-2009 CD Reviews!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-7343251235908856096</id><published>2010-01-12T03:53:00.000-08:00</published><updated>2010-01-30T20:22:00.278-08:00</updated><title type='text'>NEW Distro Titles</title><content type='html'>7":&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=320&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;86 Mentality - S/T             $4.25&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=323&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;Acid Reflux - S/T             $4.25&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=294&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Agnostic Front - United Blood $6.25&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=321&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;Citizens Patrol - Sick Routine E.P.             $4.49&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=317&amp;amp;osCsid=80ef4e3de6abb939429be35bbcae67fb"&gt;Cruel Hand - Life in Shambles $4.99 (maroon)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=322&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;Direct Control - Nuclear Tomorrow E.P.             $4.25&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=324&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;Double Negative - 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Live The Storm $9.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=279&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Disrupt - Unrest $10.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=272&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Driller Killer - Total Fuckin Brutalized $8.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=313&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Hellbastard - Eco War $8.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=314&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Hellbastard - The Need to Kill $10.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=316&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Hirax - El Rostro De La Muerte $9.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=319&amp;amp;osCsid=837c42bf731a39b5abdd77f5f382e96e"&gt;Koro - Speed Kills +             $9.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=292&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Misery - Early Years $7.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=293&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Misery / Extinction of Mankind - Split $7.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=275&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Nasum - Grind Finale 2xCD $12.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=280&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Repulsion - Horrified 2xCD $11.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=276&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Rotten Sound - Murderworks $9.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=312&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Skrupel - S/T $8.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=315&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Stormcrow / Massgrave $9.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=311&amp;amp;osCsid=effcc80db3fa1f21f0211e71b0ac7dc8"&gt;Weekend Nachos - Punish and Destroy/Torture $11.99&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tapes:&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=270&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Hammer and the Nails - Demo $4.99&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/store/product_info.php?products_id=271&amp;amp;osCsid=82eab3d544c17a46f7a2c74525cbc901"&gt;Unbroken Bones - Demo $3.99&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-7343251235908856096?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7343251235908856096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7343251235908856096'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2010/01/new-distro-titles.html' title='NEW Distro Titles'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-9005403637173534649</id><published>2009-12-28T03:39:00.000-08:00</published><updated>2009-12-28T03:50:37.615-08:00</updated><title type='text'>PANZERBASTARD 2006-2009 CD</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.patacrecords.com/store/images/panzerthumb.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 385px; height: 385px;" src="http://www.patacrecords.com/store/images/panzerthumb.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The &lt;a href="http://www.myspace.com/panzerbastard"&gt;PANZERBASTARD&lt;/a&gt; 2006-2009 Discography CD is ready and available NOW at the &lt;a href="http://www.patacrecords.com/store"&gt;PATAC webstore&lt;/a&gt;.  The first 100 copies will receive a free 11"x17" poster.  This digipak release contains the 1st 7", the BASTARDS DIE HARD EP and the BRAND NEW EXCLUSIVE 'HELL GATE' EP, and a bonus live MOTORHEAD cover.  18 tracks total.  A 12" is planned for release later this year.  The CD will be available in stores worldwide 2/16/2010, distributed exclusively through COCKROACH MEDIA.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-9005403637173534649?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/9005403637173534649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/9005403637173534649'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/12/panzerbastard-2006-2009-cd.html' title='PANZERBASTARD 2006-2009 CD'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8746974606376436198</id><published>2009-12-28T03:12:00.000-08:00</published><updated>2009-12-28T03:22:51.039-08:00</updated><title type='text'>WEDNESDAY NIGHT HEROES / FOR THE WORSE EP OUT NOW!!!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.patacrecords.com/store/images/WNHFTW.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://www.patacrecords.com/store/images/WNHFTW.gif" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;That's right, the brand new split EP from Edmonton punks &lt;a href="http://www.myspace.com/wnheroes"&gt;WEDNESDAY NIGHT HEROES&lt;/a&gt; and Boston maniacs &lt;a href="http://www.myspace.com/fortheworse"&gt;FOR THE WORSE&lt;/a&gt; is now available at the &lt;a href="http://www.patacrecords.com/store"&gt;PATAC webstore&lt;/a&gt;.  This split is limited to 500 copies, 100 on white, 100 on blue and 300 on black.  This record is a co-release with &lt;a href="http://www.givepraiserecords.com/"&gt;GIVE PRAISE RECORDS&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8746974606376436198?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8746974606376436198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8746974606376436198'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/12/wednesday-night-heroes-for-worse-ep-out.html' title='WEDNESDAY NIGHT HEROES / FOR THE WORSE EP OUT NOW!!!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-955346923247227529</id><published>2009-11-22T14:54:00.000-08:00</published><updated>2010-02-16T09:12:23.524-08:00</updated><title type='text'>SLIMY CUNT &amp; THE FISTFUCKS 'BASTARDS' EP OUT NOW!  MEMBERS OF FOR THE WORSE, NOTHING BUT ENEMIES, WORSE THAN USELESS, DEFCON 4!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_gHJOSPabZOQ/SwnCBCXc_lI/AAAAAAAAAB4/8oV1ZNgZFDE/s1600/patac4.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://4.bp.blogspot.com/_gHJOSPabZOQ/SwnCBCXc_lI/AAAAAAAAAB4/8oV1ZNgZFDE/s400/patac4.jpg" alt="" id="BLOGGER_PHOTO_ID_5407066150705888850" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The brand new EP from your favorite bunch of old bitter punks is out, and available at &lt;a href="http://www.patacrecords.com/"&gt;PATACRECORDS.com&lt;/a&gt; and the &lt;a href="http://www.myspace.com/fortheworse"&gt;FOR THE WORSE&lt;/a&gt;, NOTHING BUT ENEMIES distro at live gigs. 4 tracks of KBD punk filth. I can't stop listening to this record, it fucking rules.  Check the SCFF page for live dates.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/nothingbutenemiesscff"&gt;www.myspace.com/nothingbutenemiesscff&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.patacrecords.com/"&gt;www.patacrecords.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;review by Sorry State Records.&lt;br /&gt;&lt;br /&gt;4 more songs of offensive punk rock from this Boston label that specializes in such things. If you're into bands like the Ladies or the Hookers, imagine them with a little more rock influence (a la Turbonegro or Poison Idea circa Feel the Darkness) and you're pretty close to what you'll get on this 7". Patac Records&lt;br /&gt;&lt;br /&gt;best worse review ever!&lt;br /&gt;"I didn't think the music could be worse than the name of the band or the terrible sleeve design, but then I listened to the songs and discovered the music was in fact more shitty than the name of the band (though the artwork is worse than the music).  One more reason to hate Boston."&lt;br /&gt;Andrew Murphy&lt;br /&gt;Maximum Rock N Roll #322&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=YYGYLKY6"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-955346923247227529?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/955346923247227529'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/955346923247227529'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/11/slimy-cunt-fistfucks-bastards-ep-out.html' title='SLIMY CUNT &amp; THE FISTFUCKS &apos;BASTARDS&apos; EP OUT NOW!  MEMBERS OF FOR THE WORSE, NOTHING BUT ENEMIES, WORSE THAN USELESS, DEFCON 4!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_gHJOSPabZOQ/SwnCBCXc_lI/AAAAAAAAAB4/8oV1ZNgZFDE/s72-c/patac4.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-841184581695013413</id><published>2009-09-18T17:16:00.000-07:00</published><updated>2009-09-18T17:22:24.902-07:00</updated><title type='text'>PanzerBastard Discography CD/LP in the works.</title><content type='html'>This Fall PATAC Records is proud to announce that we're going to be releasing the PanzerBastard discography CD.  A limited vinyl pressing is planned to be released early next year.  The enhanced digipak CD will contain the first demo 7" (Fighting Boys Records), the tracks from the GYALAZAT split CD, the new demo, mp3s of a complete live set and the 'HELL GATE' music video.  Pure metallic hardcore punk hell.&lt;br /&gt;&lt;br /&gt;myspace.com/panzerbastard&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-841184581695013413?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/841184581695013413'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/841184581695013413'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/09/panzerbastard-discography-cdlp-in-works.html' title='PanzerBastard Discography CD/LP in the works.'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8648931600921782628</id><published>2009-07-26T18:46:00.000-07:00</published><updated>2009-07-26T20:45:30.594-07:00</updated><title type='text'>Slimy Cunt &amp; The Fist Fucks joins the PATAC Roster!</title><content type='html'>Boston's own Slimy Cunt &amp; The Fist Fucks will release their second EP 'Bastards' on PATAC Records.  Four new tracks of filthy punk.  Opie, Sgt. Major Asshole, Lord Cuntington and Fester Walnuts are gonna fuck up all hipsters that stand in the way.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8648931600921782628?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8648931600921782628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8648931600921782628'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/07/slimy-cunt-fist-fucks-joins-patac.html' title='Slimy Cunt &amp; The Fist Fucks joins the PATAC Roster!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-2040660205437696774</id><published>2009-06-03T08:53:00.001-07:00</published><updated>2009-06-03T09:01:29.449-07:00</updated><title type='text'>New Distro Items Available!</title><content type='html'>go to the &lt;a href="http://www.patacrecords.com/store"&gt;PATAC Records Mailorder&lt;/a&gt; and check out these kickass new distro records!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HAVOC&lt;/span&gt;&lt;br /&gt;LPs&lt;br /&gt;Victims-Killer LP&lt;br /&gt;Martyrdöd-In Extremis LP&lt;br /&gt;Contempt-Who Needs Dilplomacy LP&lt;br /&gt;Bad Brains-Rock For Light, euro press&lt;br /&gt;Guided Cradle-you will not survive&lt;br /&gt;Sanctum-on the horizon&lt;br /&gt;Wolfbrigade-Prey to the World&lt;br /&gt;Wolfbrigade-Comalive&lt;br /&gt;Pist "Ideas are bulletproof" LP &lt;br /&gt;&lt;br /&gt;Cassette&lt;br /&gt;Severed Head of State-Invitation to a beheading&lt;br /&gt;&lt;br /&gt;7"&lt;br /&gt;Fucked Up-Litany&lt;br /&gt;Dodsdomd-Seven Deadly Sins/De Sju Dodsynderna&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Hell's Headbangers&lt;/span&gt;&lt;br /&gt;LP&lt;br /&gt;Dishammer- Vintage Addiction&lt;br /&gt;Witchtrap- Witching Metal&lt;br /&gt;&lt;br /&gt;7"&lt;br /&gt;Evil Army- Under Attack&lt;br /&gt;Nunslaughter/Goatsodomy&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;OTHER DISTRO&lt;/span&gt;&lt;br /&gt;ANATOMIA - Shreds of Putrefaction 10" &lt;br /&gt;SNAKEPIT #17- metal magazine (comes with Assassin 1985 demo 7")&lt;br /&gt;VILLAINS - Lifecode of Decadence LP&lt;br /&gt;ABADDON - Life Out Of Balance LP&lt;br /&gt;RUNNAMUCKS - Untouchable 7"&lt;br /&gt;PROTESTANT - Antagonist 7" &lt;br /&gt;DISCHARGE - Beginning Of The End 7"&lt;br /&gt;YACOPSAE/MASSGRAV - split 5"&lt;br /&gt;RATTUS - Invades The USA 7"&lt;br /&gt;WITCH HUNT/TO WHAT END? - split 7"&lt;br /&gt;INSULTS - s/t 7" (from 1985)&lt;br /&gt;PISSCHRIST - Victims of Faith LP&lt;br /&gt;CRUDE - Attitude LP&lt;br /&gt;BLACK TUSK/HOLY MOUNTAIN - split 7"&lt;br /&gt;CAREER SUICIDE - Sars 7"&lt;br /&gt;CLOAK DAGGER - Kamikazes 7"&lt;br /&gt;CLOAK DAGGER - Pinata 7"&lt;br /&gt;DODSDOMD - Seven Deadly Sins 7"&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-2040660205437696774?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/2040660205437696774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/2040660205437696774'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/06/new-distro-items-available.html' title='New Distro Items Available!'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-7213971853894977220</id><published>2009-05-28T17:37:00.001-07:00</published><updated>2009-05-28T17:39:04.936-07:00</updated><title type='text'>Revilers - Stand Or Fall EP PATAC-003</title><content type='html'>Track Listing:&lt;br /&gt;1 Stand Or Fall&lt;br /&gt;2 Tried And True&lt;br /&gt;3 Runnin' Out&lt;br /&gt;4 State of Fear&lt;br /&gt;5 Road Rage&lt;br /&gt;&lt;br /&gt;Pressing Info:&lt;br /&gt;100 Copies on Blue.&lt;br /&gt;400 Copies on Black Vinyl.&lt;br /&gt;15 Hand Numbered Test Presses with spray-painted sleeves.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-7213971853894977220?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7213971853894977220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/7213971853894977220'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/05/revilers-stand-or-fall-ep-patac-003.html' title='Revilers - Stand Or Fall EP PATAC-003'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-8745827843936094362</id><published>2009-05-28T17:34:00.000-07:00</published><updated>2010-02-16T09:05:01.899-08:00</updated><title type='text'>Antibodies - Are Here EP PATAC-002</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_gHJOSPabZOQ/S3rQNJQuv-I/AAAAAAAAACU/yh6p1TZlY0c/s1600-h/patac2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://3.bp.blogspot.com/_gHJOSPabZOQ/S3rQNJQuv-I/AAAAAAAAACU/yh6p1TZlY0c/s400/patac2.jpg" alt="" id="BLOGGER_PHOTO_ID_5438888424246263778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Track Listing:&lt;br /&gt;1 Antibodies Are Hers&lt;br /&gt;2 Blacked Out&lt;br /&gt;3 Penis Intravenous&lt;br /&gt;4 Gravedigger&lt;br /&gt;&lt;br /&gt;Pressing Info:&lt;br /&gt;100 Copies on Red Vinyl.&lt;br /&gt;200 Copies on Green Vinyl.&lt;br /&gt;200 Copies on Blue Vinyl.&lt;br /&gt;5 Hand Numbered Test Presses.&lt;br /&gt;&lt;br /&gt;Reviews:&lt;br /&gt;&lt;br /&gt;from:&lt;a href="http://www.myspace.com/prhsresourcemusicreview"&gt;punk rock,hardcore and ska music resource n review                                     &lt;/a&gt;                                   &lt;br /&gt;the antibodies hailing from hyannis mass. tear things up with 4 songs of extreme balls to the wall punk rock on their 7 inch record"antibodies are here",and when you hear their first song"antibodies are here"they mean it and won't back down from their old school sound.their sound is very similiar to old c.o.c.(before they went crappy metal),fang and chaos u.k.,put this in your pipe and smoke it.definatley a fucking 10!,you can pick this up on patac records.best song-blacked out&lt;br /&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;www.patacrecords.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/patacrecords"&gt;www.myspace.com/patacrecords&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/antibodies"&gt;www.myspace.com/antibodies&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vZmFjZWJvb2suY29tL2FudGlib2RpZXMucm9jaw=="&gt;facebook.com/antibodies.rock&lt;/a&gt;&lt;br /&gt;punk rock&lt;br /&gt;beth&lt;br /&gt;&lt;br /&gt;REVIEW: (Razorcake Magazine 53)&lt;p&gt; ANTIBODIES: Are Here: 7"&lt;br /&gt;This is a tough-sounding single from a tough-looking band. The Antibodies play burly mid-tempo punk rock with gruff vocals; four songs that reminded me of a slightly slowed down Bugs with odes to substance abuse and the epically titled "Penis Intravenous." I am somewhat of a connoisseur of the gross, funny, and juvenile, so I think this is great!-Ty Stranglehold &lt;/p&gt;&lt;p&gt;   REVIEW: (NO FRONT TEETH (UK)&lt;/p&gt; 'ANTIBODIES ARE HERE’ Heavy and raw hardcore punk from Massachusetts that has a touch of the early Beer City sound – nice ‘n’ fast ‘n’ lo-fi, actually this really reminds me of an early Beer City 7” and that’s great! Just no-frills hardcore punk, simple as that – buzzsaw guitars, driving bass and drums and throaty vocals with a cool, obnoxious edge – all four cuts are winners and you can hear that these guys have a blast doing this and you can hear all kinds of influences in here from GG ALLIN to POISON IDEA to THE FREEZE and so many more – these guys ain’t young so they sure know their punk rock and that’s what it’s all about – who cares about the kids, what do they know?! Patac Records"&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-8745827843936094362?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8745827843936094362'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/8745827843936094362'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/05/antibodies-are-here-ep-patac-002.html' title='Antibodies - Are Here EP PATAC-002'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_gHJOSPabZOQ/S3rQNJQuv-I/AAAAAAAAACU/yh6p1TZlY0c/s72-c/patac2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2116502197253703540.post-5876500975168061559</id><published>2009-05-28T17:31:00.000-07:00</published><updated>2009-12-28T03:59:14.612-08:00</updated><title type='text'>Revilers - Isolation EP PATAC-001 with Reviews</title><content type='html'>Track Listing:&lt;br /&gt;1 Isolation&lt;br /&gt;2 Next In Line&lt;br /&gt;3 Dead End&lt;br /&gt;4 On The Outside&lt;br /&gt;&lt;br /&gt;Pressing Info:&lt;br /&gt;100 Copies on Red Vinyl.&lt;br /&gt;400 Copies on Black Vinyl.&lt;br /&gt;20 Hand Numbered Copies with alternate cover art.&lt;br /&gt;5 Hand Numbered Test Presses with 'Unibomber' art.&lt;br /&gt;&lt;br /&gt;Reviews:&lt;br /&gt;Maximum Rock'N'Roll&lt;br /&gt;&lt;br /&gt;"You fucking skins and punks are in luck! These rough-hewn fucks have delivered the best 7" since 'Mindless Contentment' by the PLUGZ. With Sato on vocals and guitar, Dr. Hands on bass, Hurricane Dave on drums and J-Had on guitars this REVILERS punk rock has a nasty Oi skinhead feel to it! The title song on side A, "Isolation," has a menacing danger zone to it. These Boston-area fucks have carried on the unhealthy Massachusetts skinhead/punk tradition. the 'Isolation' EP continues the saga of Boston bands that have come to destroy your paltry cow-towns like Providence, Philadelphia, New York, and Washington DC. This is hard to digest for your average college fucks.&lt;br /&gt;&lt;br /&gt;-Bruce Roehrs&lt;br /&gt;Maximum Rock'N'Roll #313&lt;br /&gt;&lt;br /&gt;OUT OF STEP ZINE, BELGIUM&lt;br /&gt;&lt;br /&gt;Revilers – Isolation&lt;br /&gt;7” 2009 Patac Records&lt;br /&gt;Revilers are a Boston based raw punk band, who has released its debut 7” on Patac Records. The 7” offers four songs: Isolation, Next In Line, Dead End and on the outside. Where Side A goes a more straight forward path, Side B offers more melody and sing along punk songs. The vibe coming from this 7” is a bit comparable to the vibe that comes from the Blood For Blood records. Not that the music is alike but the lyrics have the same kind of rawness, a bit nihilistic and pissed off but also a message of not giving up. Songs about relying only on yourself, being isolated and living as outcasts of society but also about not giving in and fighting back. Check out this band and visit their myspace at www.myspace.com/revilers.&lt;br /&gt;&lt;br /&gt;SHORT FAST &amp;amp; LOUD ZINE&lt;br /&gt;&lt;br /&gt;Pretty damn strong east coast punk rock all the way!! Bands doing this simple punk/oi! style walk a fine line between being relevant and old hat, but these dudes have some good song writing skills and the vocals pretty much carry the day here. An angry catch disc of punk anthems. www.patacrecords.com&lt;br /&gt;&lt;br /&gt;NO FRONT TEETH RECORDS UK&lt;br /&gt;&lt;br /&gt;REVILERS – ‘ISOLATION’ 7”&lt;br /&gt;Old school hardcore punk from Boston- fast and aggressive featuring members of BLOODSTAINS, ONE 4 ONE and ADD. I hear a similarity to THE PIST and also the more punk side of AGNOSTIC FRONT, it’s tough but still melodic and all four cuts on here really do it for me, actually the more I listen to this the more they remind me of an East Coast BONECRUSHER which is a great thing! I’m down with this for sure because they just nail it right – it’s nice and heavy but never over the top with too much guitar presence, the vocals are aggressive but great – they never get too growly and it’s just great old fashioned hardcore punk. I’m down with this for sure.&lt;br /&gt;Patac Records&lt;br /&gt;www.patacrecords.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Suburban Voice&lt;br /&gt;&lt;br /&gt;REVILERS-Isolation (Patrac, 7" EP)&lt;br /&gt;&lt;/strong&gt;A kick-ass debut for this Cape Cod band although I don't think they're all from that area. No matter. Four songs of sturdy, street-wise punk and rock ‘n roll is the name of the game, here. You can hear a little bit of Blitz at times, particularly for “Dead End,” but a song like “Next In Line” is fired up, rockin’ fodder. Beefy guitars and gruff, heartfelt vocals. The songs are melodic without being wimpy, exuding a defiant spirit and a pure punk heart. (&lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20v"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#de7008;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;RAZORCAKE MAGAZINE&lt;/strong&gt;&lt;br /&gt;REVILERS:&lt;br /&gt;&lt;span class="reviewsubtitle"&gt;&lt;i&gt;Isolation:&lt;/i&gt; 7”&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="content"&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;A really nice record from the four-piece punk rock band out of ........Boston: sharp guitars, edgy vocals, bombastic beats. “Isolation” begins with an intro sample that’s really funny and “On the Outside” closes out the record with a tune that’s mournful and melodic. The first side’s got a little SoCal sass but the flipside is very English. Highly recommended. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;–Jim Ruland (Patac, &lt;/span&gt;&lt;a href="http://myspace.com/patacrecord"&gt;&lt;span style="font-size:85%;"&gt;myspace.com/patacrecord&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SAVAGE AMUSEMENT&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;REVILERS – Isolation 7”&lt;/strong&gt; (&lt;/span&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;) . 4 tracks of powerful UK82 influenced streetpunk, bringing to mind the bands on Punkcore/Charged Recs. Guitars have a nice crisp ....Marshall.... type sound and it’s well played , though the vocals growl and sort of get hidden behind the wall of sound. Reminds me of ....&lt;b style=""&gt;&lt;span style="font-size: 10pt; color: black;font-size:undefined;" &gt;Defiance&lt;/span&gt;&lt;/b&gt;.... a bit.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;OX FANZINE&lt;/strong&gt;&lt;br /&gt;Isolation&lt;br /&gt;Die Bostoner REVILERS vereinen auf ihrer Debüt-7" die beiden Genres, für die die Stadt am Charles River bekannt ist: Hardcore und Streetpunk. Auf den beiden Tracks der A-Seite, „Isolation" und „Next in line", stellen die REVILERS keine neuen Geschwindigkeitsrekorde auf, die Songs sind vergleichsweise langsam.&lt;br /&gt;&lt;br /&gt;Dagegen wird bei den Songs der B-Seite, „Dead end" und „On the outside", das Tempo etwas angezogen und die Melodien kommen deutlich mehr zum Tragen. So sehr die Einflüsse der Band auch erkennbar sind, so sehr unterscheidet sich doch diese EP vom oft weit aufwendiger produzierten Output etablierterer Bostoner Bands.&lt;br /&gt;&lt;br /&gt;Nicht dass hier Missverständnisse aufkommen, diese „aufwendig produzierten" Platten sind meist wirklich genial und den Bands sei die Möglichkeit gegönnt, auf diesem Level an Professionalität arbeiten zu können.&lt;br /&gt;&lt;br /&gt;Trotzdem freut es mich, wenn es auch Bands wie die REVILERS gibt, die diesen typischen Sound wieder zu den Basics zurückbringen und die nötige Rauheit nicht wegbügeln.&lt;p class="topSpaceSm floatL"&gt;&lt;span style="font-size:85%;"&gt;Claudia Luck&lt;/span&gt;&lt;/p&gt;&lt;p class="topSpaceSm floatR"&gt;&lt;span style="font-size:85%;"&gt;© by Ox-Fanzine / &lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm94LWZhbnppbmUuZGUvd2ViL2F1cy84NS9yZXZpZXdzLjIwNy5odG1s"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#0066cc;"&gt;Ausgabe #85&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; (August/September 2009)&lt;/span&gt;&lt;/p&gt;&lt;p class="topSpaceSm floatR"&gt;                 &lt;!--- blog subject ---&gt;       &lt;/p&gt;&lt;div class="blogSubject"&gt;         &lt;label id="pBlogSubject_485561778"&gt;Reviews for Isolation 7"&lt;/label&gt;                                                                     &lt;/div&gt;                         &lt;!--- blog body ---&gt;                  &lt;span style="font-size:85%;"&gt;&lt;strong&gt;Suburban Voice&lt;br /&gt;&lt;br /&gt;REVILERS-Isolation (Patrac, 7" EP)&lt;br /&gt;&lt;/strong&gt;A kick-ass debut for this Cape Cod band although I don't think they're all from that area. No matter. Four songs of sturdy, street-wise punk and rock ‘n roll is the name of the game, here. You can hear a little bit of Blitz at times, particularly for “Dead End,” but a song like “Next In Line” is fired up, rockin’ fodder. Beefy guitars and gruff, heartfelt vocals. The songs are melodic without being wimpy, exuding a defiant spirit and a pure punk heart. (&lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20v"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#de7008;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maximum Rock'N'Roll&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;"You fucking skins and punks are in luck! These rough-hewn fucks have delivered the best 7" since 'Mindless Contentment' by the PLUGZ. With Sato on vocals and guitar, Dr. Hands on bass, Hurricane Dave on drums and J-Had on guitars this REVILERS punk rock has a nasty Oi skinhead feel to it! The title song on side A, "Isolation," has a menacing danger zone to it. These Boston-area fucks have carried on the unhealthy Massachusetts skinhead/punk tradition. the 'Isolation' EP continues the saga of Boston bands that have come to destroy your paltry cow-towns like Providence, Philadelphia, New York, and Washington DC. This is hard to digest for your average college fucks.&lt;br /&gt;-Brian Roehrs&lt;br /&gt;Maximum Rock'N'Roll #313&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAZORCAKE MAGAZINE&lt;/strong&gt;&lt;br /&gt;REVILERS:&lt;br /&gt;&lt;span class="reviewsubtitle"&gt;&lt;i&gt;Isolation:&lt;/i&gt; 7”&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="content"&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;A really nice record from the four-piece punk rock band out of ........Boston: sharp guitars, edgy vocals, bombastic beats. “Isolation” begins with an intro sample that’s really funny and “On the Outside” closes out the record with a tune that’s mournful and melodic. The first side’s got a little SoCal sass but the flipside is very English. Highly recommended. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;–Jim Ruland (Patac, &lt;/span&gt;&lt;a href="http://myspace.com/patacrecord"&gt;&lt;span style="font-size:85%;"&gt;myspace.com/patacrecord&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="topSpace clear-block"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;OUT OF STEP ZINE, BELGIUM&lt;/strong&gt;&lt;br /&gt;Revilers – Isolation&lt;br /&gt;7” 2009 Patac Records&lt;br /&gt;Revilers are a Boston based raw punk band, who has released its debut 7” on Patac Records. The 7” offers four songs: Isolation, Next In Line, Dead End and on the outside. Where Side A goes a more straight forward path, Side B offers more melody and sing along punk songs. The vibe coming from this 7” is a bit comparable to the vibe that comes from the Blood For Blood records. Not that the music is alike but the lyrics have the same kind of rawness, a bit nihilistic and pissed off but also a message of not giving up. Songs about relying only on yourself, being isolated and living as outcasts of society but also about not giving in and fighting back. Check out this band and visit their myspace at &lt;/span&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;strong&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SHORT FAST &amp;amp; LOUD ZINE&lt;br /&gt;&lt;/strong&gt;Pretty damn strong east coast punk rock all the way!! Bands doing this simple punk/oi! style walk a fine line between being relevant and old hat, but these dudes have some good song writing skills and the vocals pretty much carry the day here. An angry catch disc of punk anthems. &lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;&lt;span style="font-size:85%;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;NO FRONT TEETH RECORDS UK&lt;br /&gt;&lt;/strong&gt;REVILERS – ‘ISOLATION’ 7”&lt;br /&gt;Old school hardcore punk from Boston- fast and aggressive featuring members of BLOODSTAINS, ONE 4 ONE and ADD. I hear a similarity to THE PIST and also the more punk side of AGNOSTIC FRONT, it’s tough but still melodic and all four cuts on here really do it for me, actually the more I listen to this the more they remind me of an East Coast BONECRUSHER which is a great thing! I’m down with this for sure because they just nail it right – it’s nice and heavy but never over the top with too much guitar presence, the vocals are aggressive but great – they never get too growly and it’s just great old fashioned hardcore punk. I’m down with this for sure.&lt;br /&gt;Patac Records&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;&lt;strong&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SAVAGE AMUSEMENT&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;REVILERS – Isolation 7”&lt;/strong&gt; (&lt;/span&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;) . 4 tracks of powerful UK82 influenced streetpunk, bringing to mind the bands on Punkcore/Charged Recs. Guitars have a nice crisp ....Marshall.... type sound and it’s well played , though the vocals growl and sort of get hidden behind the wall of sound. Reminds me of ....&lt;b style=""&gt;&lt;span style="font-size: 10pt; color: black;font-size:undefined;" &gt;Defiance&lt;/span&gt;&lt;/b&gt;.... a bit.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OX FANZINE&lt;/strong&gt;&lt;br /&gt;Isolation&lt;br /&gt;Die Bostoner REVILERS vereinen auf ihrer Debüt-7" die beiden Genres, für die die Stadt am Charles River bekannt ist: Hardcore und Streetpunk. Auf den beiden Tracks der A-Seite, „Isolation" und „Next in line", stellen die REVILERS keine neuen Geschwindigkeitsrekorde auf, die Songs sind vergleichsweise langsam.&lt;br /&gt;&lt;br /&gt;Dagegen wird bei den Songs der B-Seite, „Dead end" und „On the outside", das Tempo etwas angezogen und die Melodien kommen deutlich mehr zum Tragen. So sehr die Einflüsse der Band auch erkennbar sind, so sehr unterscheidet sich doch diese EP vom oft weit aufwendiger produzierten Output etablierterer Bostoner Bands.&lt;br /&gt;&lt;br /&gt;Nicht dass hier Missverständnisse aufkommen, diese „aufwendig produzierten" Platten sind meist wirklich genial und den Bands sei die Möglichkeit gegönnt, auf diesem Level an Professionalität arbeiten zu können.&lt;br /&gt;&lt;br /&gt;Trotzdem freut es mich, wenn es auch Bands wie die REVILERS gibt, die diesen typischen Sound wieder zu den Basics zurückbringen und die nötige Rauheit nicht wegbügeln.&lt;p class="topSpaceSm floatL"&gt;&lt;span style="font-size:85%;"&gt;Claudia Luck&lt;/span&gt;&lt;/p&gt;&lt;p class="topSpaceSm floatR"&gt;&lt;span style="font-size:85%;"&gt;© by Ox-Fanzine / &lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm94LWZhbnppbmUuZGUvd2ViL2F1cy84NS9yZXZpZXdzLjIwNy5odG1s"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#0066cc;"&gt;Ausgabe #85&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; (August/September 2009)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;Isolation EP&lt;br /&gt;The REVILERS of Boston are uniteing on their Debut-7" the both genres for which the town at the Charles River is well-known: Hardcore and Streetpunk. In the both tracks on the A-side ("Isolation" and Next in line"), the REVILERS don't prepare new records in tempo cause the songs are a little bit slow comparatively to others.&lt;br /&gt;But on the B-Side at the songs "Dead end" and "On the outside" they are getting faster and the melodies are coming to fruition.The influences of the band are clearly recognizable, but on this EP they differentiate from other often complexly produced outputs of established bands of Boston.&lt;br /&gt;Not that there will come some misunderstandings. These "complexly produced" releases are realy brilliant and I grant these bands the possibillity to produce their LPs on such a high level.&lt;br /&gt;But  I'm really happy, that there are existing such bands like the REVILERS who bring back this typically sound back to the basics and are keeping the necessary rawness.&lt;br /&gt;Claudia Luck&lt;br /&gt;© by Ox-Fanzine / Issue #85 (August/September 2009)&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;                 &lt;!--- blog subject ---&gt;       &lt;div class="blogSubject"&gt;         &lt;label id="pBlogSubject_485561778"&gt;Reviews for Isolation 7"&lt;/label&gt;                                                                     &lt;/div&gt;                         &lt;!--- blog body ---&gt;                  &lt;span style="font-size:85%;"&gt;&lt;strong&gt;Suburban Voice&lt;br /&gt;&lt;br /&gt;REVILERS-Isolation (Patrac, 7" EP)&lt;br /&gt;&lt;/strong&gt;A kick-ass debut for this Cape Cod band although I don't think they're all from that area. No matter. Four songs of sturdy, street-wise punk and rock ‘n roll is the name of the game, here. You can hear a little bit of Blitz at times, particularly for “Dead End,” but a song like “Next In Line” is fired up, rockin’ fodder. Beefy guitars and gruff, heartfelt vocals. The songs are melodic without being wimpy, exuding a defiant spirit and a pure punk heart. (&lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20v"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#de7008;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maximum Rock'N'Roll&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;"You fucking skins and punks are in luck! These rough-hewn fucks have delivered the best 7" since 'Mindless Contentment' by the PLUGZ. With Sato on vocals and guitar, Dr. Hands on bass, Hurricane Dave on drums and J-Had on guitars this REVILERS punk rock has a nasty Oi skinhead feel to it! The title song on side A, "Isolation," has a menacing danger zone to it. These Boston-area fucks have carried on the unhealthy Massachusetts skinhead/punk tradition. the 'Isolation' EP continues the saga of Boston bands that have come to destroy your paltry cow-towns like Providence, Philadelphia, New York, and Washington DC. This is hard to digest for your average college fucks.&lt;br /&gt;-Brian Roehrs&lt;br /&gt;Maximum Rock'N'Roll #313&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAZORCAKE MAGAZINE&lt;/strong&gt;&lt;br /&gt;REVILERS:&lt;br /&gt;&lt;span class="reviewsubtitle"&gt;&lt;i&gt;Isolation:&lt;/i&gt; 7”&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="content"&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;A really nice record from the four-piece punk rock band out of ........Boston: sharp guitars, edgy vocals, bombastic beats. “Isolation” begins with an intro sample that’s really funny and “On the Outside” closes out the record with a tune that’s mournful and melodic. The first side’s got a little SoCal sass but the flipside is very English. Highly recommended. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;–Jim Ruland (Patac, &lt;/span&gt;&lt;a href="http://myspace.com/patacrecord"&gt;&lt;span style="font-size:85%;"&gt;myspace.com/patacrecord&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="topSpace clear-block"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;OUT OF STEP ZINE, BELGIUM&lt;/strong&gt;&lt;br /&gt;Revilers – Isolation&lt;br /&gt;7” 2009 Patac Records&lt;br /&gt;Revilers are a Boston based raw punk band, who has released its debut 7” on Patac Records. The 7” offers four songs: Isolation, Next In Line, Dead End and on the outside. Where Side A goes a more straight forward path, Side B offers more melody and sing along punk songs. The vibe coming from this 7” is a bit comparable to the vibe that comes from the Blood For Blood records. Not that the music is alike but the lyrics have the same kind of rawness, a bit nihilistic and pissed off but also a message of not giving up. Songs about relying only on yourself, being isolated and living as outcasts of society but also about not giving in and fighting back. Check out this band and visit their myspace at &lt;/span&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;strong&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SHORT FAST &amp;amp; LOUD ZINE&lt;br /&gt;&lt;/strong&gt;Pretty damn strong east coast punk rock all the way!! Bands doing this simple punk/oi! style walk a fine line between being relevant and old hat, but these dudes have some good song writing skills and the vocals pretty much carry the day here. An angry catch disc of punk anthems. &lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;&lt;span style="font-size:85%;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;NO FRONT TEETH RECORDS UK&lt;br /&gt;&lt;/strong&gt;REVILERS – ‘ISOLATION’ 7”&lt;br /&gt;Old school hardcore punk from Boston- fast and aggressive featuring members of BLOODSTAINS, ONE 4 ONE and ADD. I hear a similarity to THE PIST and also the more punk side of AGNOSTIC FRONT, it’s tough but still melodic and all four cuts on here really do it for me, actually the more I listen to this the more they remind me of an East Coast BONECRUSHER which is a great thing! I’m down with this for sure because they just nail it right – it’s nice and heavy but never over the top with too much guitar presence, the vocals are aggressive but great – they never get too growly and it’s just great old fashioned hardcore punk. I’m down with this for sure.&lt;br /&gt;Patac Records&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;&lt;strong&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SAVAGE AMUSEMENT&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;REVILERS – Isolation 7”&lt;/strong&gt; (&lt;/span&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;) . 4 tracks of powerful UK82 influenced streetpunk, bringing to mind the bands on Punkcore/Charged Recs. Guitars have a nice crisp ....Marshall.... type sound and it’s well played , though the vocals growl and sort of get hidden behind the wall of sound. Reminds me of ....&lt;b style=""&gt;&lt;span style="font-size: 10pt; color: black;font-size:undefined;" &gt;Defiance&lt;/span&gt;&lt;/b&gt;.... a bit.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OX FANZINE&lt;/strong&gt;&lt;br /&gt;Isolation&lt;br /&gt;Die Bostoner REVILERS vereinen auf ihrer Debüt-7" die beiden Genres, für die die Stadt am Charles River bekannt ist: Hardcore und Streetpunk. Auf den beiden Tracks der A-Seite, „Isolation" und „Next in line", stellen die REVILERS keine neuen Geschwindigkeitsrekorde auf, die Songs sind vergleichsweise langsam.&lt;br /&gt;&lt;br /&gt;Dagegen wird bei den Songs der B-Seite, „Dead end" und „On the outside", das Tempo etwas angezogen und die Melodien kommen deutlich mehr zum Tragen. So sehr die Einflüsse der Band auch erkennbar sind, so sehr unterscheidet sich doch diese EP vom oft weit aufwendiger produzierten Output etablierterer Bostoner Bands.&lt;br /&gt;&lt;br /&gt;Nicht dass hier Missverständnisse aufkommen, diese „aufwendig produzierten" Platten sind meist wirklich genial und den Bands sei die Möglichkeit gegönnt, auf diesem Level an Professionalität arbeiten zu können.&lt;br /&gt;&lt;br /&gt;Trotzdem freut es mich, wenn es auch Bands wie die REVILERS gibt, die diesen typischen Sound wieder zu den Basics zurückbringen und die nötige Rauheit nicht wegbügeln.&lt;p class="topSpaceSm floatL"&gt;&lt;span style="font-size:85%;"&gt;Claudia Luck&lt;/span&gt;&lt;/p&gt;&lt;p class="topSpaceSm floatR"&gt;&lt;span style="font-size:85%;"&gt;© by Ox-Fanzine / &lt;/span&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm94LWZhbnppbmUuZGUvd2ViL2F1cy84NS9yZXZpZXdzLjIwNy5odG1s"&gt;&lt;u&gt;&lt;span style="font-size:85%;color:#0066cc;"&gt;Ausgabe #85&lt;/span&gt;&lt;/u&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; (August/September 2009)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="color:#339966;"&gt;Isolation EP&lt;br /&gt;The REVILERS of Boston are uniteing on their Debut-7" the both genres for which the town at the Charles River is well-known: Hardcore and Streetpunk. In the both tracks on the A-side ("Isolation" and Next in line"), the REVILERS don't prepare new records in tempo cause the songs are a little bit slow comparatively to others.&lt;br /&gt;But on the B-Side at the songs "Dead end" and "On the outside" they are getting faster and the melodies are coming to fruition.The influences of the band are clearlyrecognizable, but on this EP they differentiate from other often complexly produced outputs of established bands of Boston.&lt;br /&gt;Not that there will come some misunderstandings. These "complexly produced" releases are realy brilliant and I grant these bands the possibillity to produce their LPs on such a high level.&lt;br /&gt;But  I'm really happy, that there are existing such bands like the REVILERS who bring back this typically sound back to the basics and are keeping the necessary rawness.&lt;br /&gt;Claudia Luck&lt;br /&gt;© by Ox-Fanzine / Issue #85 (August/September 2009)&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;div class="blogSubject"&gt;&lt;label id="pBlogSubject_521158475"&gt;PUNK ROCK REVIEW&lt;br /&gt;revilers-isolation e.p.&lt;/label&gt;&lt;br /&gt;&lt;b&gt;Category:&lt;/b&gt; Music &lt;/div&gt;&lt;div id="pBlogBody_521158475" class="blogContent"&gt;the revilers hailing from the good ole boston/cape cod area of mass. bring you some street punk and oi that flips your buttflap and dirties your steel toed boots,these guys bring the punk pain with 4 songs of out of this world guitar riffage and vocals to boot.widespread panic comes knocking at your door and ears listening to the revilers and you definatley will not be disappointed.the isolation e.p. is out on patac records.best songs out of the 4 on this e.p. are isolation and deadend.pick this up and others on patac records!&lt;br /&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnJldmlsZXJzLm5ldA=="&gt;&lt;span style="color:#003399;"&gt;www.revilers.net&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/revilers"&gt;&lt;span style="color:#003399;"&gt;www.myspace.com/revilers&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnBhdGFjcmVjb3Jkcy5jb20="&gt;&lt;span style="color:#003399;"&gt;www.patacrecords.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/patacrecords"&gt;&lt;span style="color:#003399;"&gt;www.myspace.com/patacrecords&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;punk rock&lt;br /&gt;beth&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2116502197253703540-5876500975168061559?l=patacrecords.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5876500975168061559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2116502197253703540/posts/default/5876500975168061559'/><link rel='alternate' type='text/html' href='http://patacrecords.blogspot.com/2009/05/revilers-isolation-ep-patac-001-with.html' title='Revilers - Isolation EP PATAC-001 with Reviews'/><author><name>PATAC RECORDS</name><uri>http://www.blogger.com/profile/11638726722060710458</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://4.bp.blogspot.com/_gHJOSPabZOQ/Sh8sLSHJqjI/AAAAAAAAABU/KY9FlJLjj7o/S220/patacsticker.jpg'/></author></entry></feed>
